Friday, June 26, 2026

After I Lose the Love of My Life

 Sharon Waller Knutson 

 

   
Shannon, Sharon and Linsi

By Sharon Waller Knutson


The most traumatic event of my life was June 30, 2025, when I found my husband/soulmate/best friend/caregiver dead on the floor. I was devastated because I loved being part of the team of Al and Sharon for thirty years. Now I was totally alone or so I thought until neighbors, most of them strangers, started showing up to help and some are still here. As the first anniversary of his death approaches, I share their stories.

After Paramedics Tell Me My Husband is Gone

Kathleen is the first neighbor to show up.
All six feet of her. Silver pony-tail
swinging like the tails of the mules
she rides past our house before
her husband got dementia,
and they gave up the livestock
and now she walks an old dog
and feeds an aging cat 
on forty acres, three miles from us.

She hugs me, murmurs sorry,
and then heads for the bathroom
to say goodbye to my husband
who lies on the floor like a mannequin.
She sits by my side when the medical
examiner, a tiny doll like woman, arrives
and asks me in the voice of an accuser
why it took me so long to call 911.

“I couldn’t get a dial tone,” I say
“So I kept shaking his arm and telling
him to please wake up. I thought he fainted
like he did three times before.” When
the medical examiner looks skeptical,
Kathleen puts her arm around my shoulder
as if to shield me from being arrested
since my home is swarming with cops.
“Phone service is terrible out here,” she says.

She is still by my side when I say “Goodbye
Sweetheart I love you” and kiss him on the forehead
as he lies on the stretcher like he is sleeping.
 “He looks so handsome, just like when I first met him,”
I say and the medical examiner leaves with my husband.

As does Kathleen, but she is back banging on the window
as I field phone calls from family with her husband
and a bowl of cantaloupe and cottage cheese 
which he spoon feeds me as food and fork
flies from my shaky hand while she fries up
the lamb chops my husband had defrosted for dinner.

I feel faint in the shower the next day. “Panic Attack,”
my son says. I tell him to call Kathleen, who is a nurse.
“You look so pale,” she says as she takes my pulse.
“You might be anemic.” She exchanges nurse’s cap
for angel wings. “There is an Afterlife. I’ve seen it  
when I was seventeen and survived a car accident,”
she says, confirming that I will see my husband again.

She says a prayer for me and then gives me a bed bath
and promises she will be back on her day off
from her job at the hospital and her husband
would check on me every day. After six weeks,
she returns the key and says she is sorry
but at seventy she is too exhausted from working
12-hour shifts at the hospital to help me.

“Hi Luv,” says Sylvia as she sashays into my house
at five foot two. She brings me spinach, tomatoes,
a dozen eggs and fig biscuits she baked with oats.
As she helps me shower and shampoo, 
she tells me her German grandfather built
a brick house when he was her age - eighty.

.


Sylvia

After My Sons Return to their Lives and I am Alone

I answer the doorbell and there stands a seventy-
year-old short stout sumo warrior dead ringer
and I sniff the scent of baked fish and chicken,
vegetables and mashed potatoes. He introduces
himself as Bobby, the owner of the men’s retreat
a few acres away and says he brings free food
his partner, Rick, prepares at the bed and breakfast.

Every Tuesday and Friday afternoon he shows up
with food and advice, “Take it one day at a time”
as he does at the 12 step meetings he runs at the retreat.
Our hands and feet chop the air as we do Tai Chi
to build up my strength and solve balance problems.
He sings songs he wrote himself or covers in a band
and strums the guitar as I clap and compliment.

On some Fridays he brings pictures of his dearly
departed wife and mother and says he still talks
to their photos every day and advises me to speak
to my late husband. “It’s okay for you to be angry
at him if you feel abandoned,” he says.  “Get it all
out.  Scream and cry,” he says.  I sit there numb.
I never cry until Bobby says goodbye
and moves his retreat 100 miles from here.


After I Take too much Benadryl in the Middle of the Night

I am lying on my back 
on the cold, hard tile
in my shorts and top, frigid air
freezing bare skin, scooting
towards my Life Alert button
dangling on the bedpost
and walker desperately to reach
the phone that shrieks nonstop
like a May Day Signal

when I hear a familiar voice calling
“Miss Sharon” and see the blonde
in the ponytail, thinking she stumbled
upon me while delivering free meals
from the café she runs with her husband.
She takes my outstretched hands and lifts
me to my feet and puts me back in bed.

Weeks later as Robbin feeds me roast chicken,
mashed potatoes, broccoli and baby carrots,
she tells me my son had called and asked her
to check on me after I didn’t answer the phone.

Driving the three and a half miles on the dirt road,
she worries what she would do if she finds my dead
body. When she leaves, she says, “See you in a day or so.”
“What if I die?” I ask. “Well, I’ll see you in heaven,” she says
hugging me tight as she does every time she leaves.

I find myself on my back on the floor again.
But I think it’s morning and when a painting falls
on my head, I think I’m back in bed until I see Sylvia
with her short gray hair teetering on wedgie sandals
and a strange man standing over me. They each take
one hand and pull me to my feet and get me back
in bed. “I brought my husband since I can’t lift
more than 70 pounds,” says Sylvia. “It’s nighttime. 
Your son will be here in the morning.”

I pick up the phone in my hospital room.
It is Robbin saying she called every hospital
in the area to find me and she will take me
home. But it is Sylvia in her trusty truck
who pulls up the curb and helps a nurse
get me out of the wheelchair and lift
me into the passenger seat and drive
me forty miles home as my back aches.
It is Sylvia who checks my vitals and gives
me oxygen as she helps my sons nurse
my bruised bones back to health 
so I can walk without pain.


Hank and his wife, Jeannette

After the Holidays, and my Sons Leave Again

“Do you know my name?” asks the six-foot tall 
sixty something muscular man, his mop of white
hair flopping, as he stands holding a carton 
full of bowls of omelets, salads and meals of mashed
potatoes, roast chicken and vegetables. “George,” I say.
 “I’m a chef and I own the café,” he says.
“I know. You’re Robbin’s husband,” I say.

I figure he’s testing to see if I am senile
and I fear I’ve failed when I remember Robbin
calls him Scott. I apologize and he says both names
are correct. He’s George Scott the second. 

Sometimes he delivers food with his wife Robbin,
a beautiful blonde who refuses any money for the food.
Robbin says she wants to help me because she cooked
for her mother and grandmother when they couldn’t
cook for themselves. “God will reward me,” she says.

George and Robbin give me updates on the orange
tabby they rescued from my courtyard and adopted.

“Survivor almost let me pet him today,” Robbin says.

“I roll around on the floor with him twice a day,”
George says. “But he hisses at Robbin.”

One day George says he just found out I was a famous
published writer and wants to be my manager
and sell my books in the café.  As he leaves 
with a handful of books, he says. “If the paparazzi
contact you, send them to me, your manager.”

When it is cold, windy and rainy, George shows up
with a hatchet and his buddy, Hank, a short, slim
sixty something man with gray hair and heart trouble
and they chop wood and light a fire in the wood stove.

When the wind blows over my satellite dish and I lose
internet service, my son messages Hank, who helped
him repair the leaks in the roof. Hank calls me 
and says he is on his way and is bringing George
in case he gets dizzy from the heart medicine.
I am so tired I fall asleep and awaken to George 
waving a bowl under my nose as if it contains smelling salts.

“We’ve been on your roof,” he says. “I brought you a shrimp salad.
Where do you want it?”  As I go to the table to eat, I hear
Hank say, “Try the internet now. I bolted down your satellite dish.”
I tell Hank to take care of his heart and not worry about me.
“I think of you like a mother figure. Like it or not, you’re part
of my family now and I will help you,” Hank says. 

“By the way, the wife is baking you some banana bread
since you loved the last batch. She bought organic bananas
just for you.” The doorbell rings and Hank introduces me
to Jeannette and she visits with me as I eat a slice of her banana
bread and murmur, “Delicious.” I’m addicted and eat another
slice. “That’s why we brought you two loaves.” Hank says 
as he splits wood. “We’ll be back with more banana bread 
when you run out. Just call me.” They lock the door behind them.

Shannon and her niece, Lindsi, bring salad, sour dough bread
and chocolates in the fall. “The last time I called your husband 
from Wal-Mart in the spring, he said he was fine,”
Shannon says. “When I emailed him in the summer, your son
emailed me back that he was gone.” We didn’t know them
when we lived in Idaho, where they still summer. but Shannon
knew us for a decade when she and I hosted church potlucks.
I meet Lindsi for the first time, tell her I went to high school
with her Aunt Sue, who died shortly after my husband died.
Lindsey recognizes my husband from the photos on the wall.
“He used to come into my father’s Ace Hardware store in Idaho.”


In the Month of March: My First Birthday Without My Beloved

Hank builds a fire and turns up the space heaters 
when I shiver as Sylvia suds my body and hair 
in the shower. The phone goes dead as it rains
slow and steady. I hear my son’s voice 
from a thousand miles away talking 
through the Ring camera speaker in my kitchen
telling me he has scheduled a repair but when
the rain stops, the phone rings and I hear Hank 
and Sylvia’s voice on the line loud and clear.

Outside temperatures climb from 50 to 95
as the refrigerator door warns in red letters 
to change the air and water filter.
I stand at the sink shaking as Sylvia simmers
salmon in a skillet and George shows up
with salads and entrees and holds me 
in his strong arms. “You’re okay,” he says.

Fire ants march in the kitchen like soldiers
and I drown the army in the sink. The skin
on my arm stings and itches and I see a burn mark
left by an ant that escaped the massacre
and soothe it with gel from the aloe vera plant
growing in the courtyard. When Sylvia
shows up, she pours cinnamon on the heads
of ants and traps them in the plastic garbage sack.

Shannon and Lindsi are back with salad fixings
and sour dough bread. Shannon washes dishes
while Lindsi empties the garbage cans.
They say they will return in April with food
and friendship and do household chores.

One of Robbin’s meals goes rancid and I dump
the chicken, mashed potatoes and broccoli
in the front yard for the birds. Hank delivers
new meals for Robbin and George and after
he leaves I find a box of new filters on my doorstep.

George shows up with food and his friend Donnie 
and shows him the house and furniture my husband
built with clay and cactus and says he will bring smoked
salmon, salads and sour dough bread for my birthday dinner.
Donnie buys my poetry book dedicated to my husband
and says his 80-year-old widowed mother would love
to see the house and meet me. I tell him to come anytime.

A voice on the computer shouts “Severe heat
Warning” as the thermometer soars to 105 degrees
two days in a row and 84 degrees when I wake up
at sunrise on my birthday to the shrill voices of quail.
For supper, I dine on smoked salmon, spinach salad
and sour dough bread at the table my soulmate built
with saguaro cactus and imagine him sitting on the chair
across from me smiling and singing Happy Birthday, 
glowing as bright as 84 candles and a full moon.

Friday, June 19, 2026

Book of the Week

 Balance (Moonstone Arts Press 2025) by Laurie Kuntz 


 

Comments by Editor Sharon Waller Knutson

Wise and skillfully crafted is the best way to describe Laurie Kuntz’s new poetry collection, Balance, in which she opens up her life to us and gives us insight into how to balance marriage, motherhood and aging and learn how to live with the curve balls life throws us.

I think the life lessons she teaches us are best summed up in the last stanza of the title poem,

Balance:

We need that balance 
to embrace an endless summer state of mind
while dancing in the eye of a storm.

This is how Laurie Kuntz describes the book:

“Balance contains poems about my expatriate existence, cross-cultural experiences, and assimilating back into my own American culture as an aging woman, parent, and partner to the person with whom I share my adult life.  Balance is a collection of poems, which reflects upon finding a place of safety and acceptance while grappling with societal and personal issues of dissension, alienation, and assimilating into one's personal strength and identity.”

Praise from the Poet’s Peers: 

Laurie Kuntz’s Balance is filled with rare insights into interstitial moments, those in-between times when love is neither new nor exhausted, when we are aware of our lives as works in progress, moving toward an unknowable future. Kuntz tells us, “We know we live on a brink, / brink of storm, brink of heartache, brink of all that breaks.” It takes courage for a poet to explore that brink, to live in it, and to allow us to live there with her, in a place without posturing, guarantees, or false promises, but if there is value to our lives, it comes from noticing the flashes of meaning we can find there, such as “A screen door held open or gently shut / after shared cups of chamomile tea on a rainy day.” As Kuntz reminds us, “Between the landing and next jump / are the daily interactions that prove us human.”

– George Franklin, author of A Man Made of Stories.

"There is much wisdom in this book. The voice that holds these poems together is one of experience, insights, and empathy. Laurie Kuntz writes beautifully and truthfully, and in her we trust. Balance contains the still point that we need to get us through these tumultuous times."

 – Bunkong Tuon, author of Koan Khmer and What Is Left


“In this deeply moving collection of 25 poems, the quiet rhythms of marriage, the slow arc of aging, and the ache of grief are brought into focus.  The verses in Balance are simultaneously tender and unflinching.  They explore moments in life that place one squarely on a fulcrum, striving for balance and perspective.  The world and its continual wars also bring a personal and collective need for reckoning. One leaves the pages of this book with “an astonished and renewed light” (“Solstice), and a new respect for Laurie Kuntz’s resonant poetic voice.

 – Judy Ireland, poet & author of Cement Shoes (2013) 


Some of my favorite poems:

Options

In the beginning,
we had time to tally
who spited, who hurt,
who forgave first.

We could nurse our anger
for weeks turning it into a game,
until one of us cried "Uncle."

We bullied time thinking 
it would never fight back,
but now time wins and winds
around us with an aging wisdom.
 
It hardly matters who dirtied  
the new white towels,
forgot to turn off the lights,  
lock the back gate,
ate the last poppy seed muffin, 
broke the porcelain coffee mug, 
or refused to kill the spider.

One of us will always be left  
hungry, in the dark, afraid 
of things that crawl into open entryways.

In our waning days together,
we can no longer waste 
the time that stretches between us.

Our history is branded by the flames we create.
We can choose to stay in the pan, or jump into the fire.


While My Husband Forgets Our Anniversary

He is making tomato sauce on a rainy Sunday
he grows tomatoes , good for the prostate, 
which I do not have, but I like his tomato sauce, nonetheless.
I offer to help him cut the soft overripe batch of ruby Comparis,
my hand nervous on the knife, after all he is oblivious
to this day, 55 years ago that we met, 37 wedded legal ones,
somewhere I have the paper to prove it. 
Later, he calls me back into the kitchen, asks me to taste--
questions the flavor, the saltiness.
Perhaps a dab of sugar is needed.
Don't burn your tongue he says, as I lift
the spoon to my lips, and tell him it is perfect.


Long Division

In the framed photo 
that sits on a dusty sill, 
the two of us draped
in a landscape of wildflowers,
flowers only you could name:

larkspur, foxglove, yarrow.

We were envied
for our spirit and the grace 
in which we walked, talked, and loved.

You believed in the overall 
goodness of every gesture,
I fixated on details, 
dissecting all we  shared:

larkspur, foxglove, yarrow.

I was the worst of us,
You had the more genuine smile,
the thicker hair, the thinner frame,
the floating gait, the accepting heart.

This kind of  love between opposites
 can only remain intact
when put in a gilded frame:

larkspur, foxglove, yarrow.

We parted in summer, 
when the lavender bushes were in full scent.
Now, approaching another bloom
you come back to me, but only in this photo 
where we walk those blooming paths:

larkspur, foxglove, yarrow.

 Once, in an uninterrupted dream,
I saw you in a crowded bar--
a place you would never enter... 
far from rural hideouts.

(continued with stanza break)


You were surrounded by friends, 
the kind I have now that you are gone
they loved you, not me. 
In this dream, you were the best of us. 

I am foolish to ignore the years falling 
like rusty coins from a frayed pocket.

When I stare at the photo,
engraving your weak smile into memory,
I still try to do the math of forgiveness,
but you are bent on long division.

Sister, sharer of secrets, maker of plans
until the plans never ripened 

Unlike, larkspur, foxglove, yarrow.

 

 Between

If our lives were lived in a straight line
like holding ends of a jump rope--
one turner madness, the other magic,
we would learn to rise in rhythm
with each arc of the rope and all that happens
in a moment of becoming airborne.

Between the landing and next jump
are the daily interactions that prove us human:

The nod of passing hikers scaling an uphill trail.
The placing of coins in a palm by the shopkeeper
after asking how your elderly mother is doing.
A screen door held open or gently shut
after shared cups of chamomile tea on a rainy day.
The manicurist who shapes your nails into a spring color palette.
A pitanga bush overhanging the bridge
never failing to drop its red dappled berries into the lap of April.

Each handshake, hug, and embrace
is a life in the telling, stories that will end
in a skip, jump, and final landing
between madness and magic.


Balance

I could write endlessly 
about all things foreboding--
hurricanes and turbulence
more likely due to  warmer air 
that carries us to  a season 
we hope to thrive in.

From June's blossoms come 
a life in harvest,  
dark soil blankets the roots 
of all that green:
a pasture, cross haired vines, 
meadows abundant with wild petals 
upon petals, every bloom opens 
to summer's endless embrace, 
and we live as if nothing will ever end.

But, an end always comes,
hurricanes and turbulence takeover
a country's spirit, a body's betrayal,
an erosion of simple kindness.

Yet, somewhere a child 
is learning to ride a wave,
someone's mother is picking lilacs and lavender,
a father holds the seat of a two wheel bike
promising not to let go. 

We need that balance 
to embrace an endless summer state of mind
while dancing in the eye of a storm.



Friday, June 12, 2026

Can’t Let Go of Being Let Go

Shoshauna Shy

 

 
Shoshauna Shy

By Shoshauna Shy

This series of poems involves the finale of my 28-year administrative assistant career which ended in 2021 during the pandemic.


PANIC

They say we don’t remember 
what others tell us as much as how 
they make us feel

and so it’s a raw November wind 
at a picnic table in this wooded park 
where my office mates and I once
gathered in photo-ready outfits 
for pizza on workdays.
My boss is seated there 
waiting for me.
The wind is strong enough to blow
her black hair straight off her shoulders

hair at a length dictated by the pandemic 
that has kept us out of hair salons.
Her black mask covers the scars 
around her mouth that her dog left 
when he bit her.
She says she is cutting my hours—

which means I will lose my health 
insurance while my husband undergoes
a needed surgery, and if I retire, I’ll draw
a higher income from my pension.
Of course she doesn’t spell it out that way—

but the cold water splashing 
down my windpipe does
               

OUSTED

A coworker tries
to help me weather
a forced transition
to retirement.
Remaining in the workplace,
she is estranged from her daughter,
has a son out-of-state,
and a husband lying captive
in Memory Care.
Mine is young enough to tour
Japanese gardens, lay flooring tile,
trim a honey locust.
Savor what you have
she pleads with me

while I yearn for the office
with its calendar pages
and klickitat keyboards,
the duties rotating
on their biweekly cycles.
Four clerical decades,
and no need that it end.
In my banishment, 
I imagine the staff
lounging in the sunshine
of paid vacations,
feathering nest eggs
with the skimmed cream
of paychecks, gathering
at abundant potlucks
to discuss new projects,
new schemes.
Those days I played lighthouse
greeting their arrivals
frayed to bits by a long pandemic year;
I, gray-haired in my ankle hems,
blown away like dandelion fluff.

You have a husband, a brother,
your kids, your mother–the rest
is just bullshit! 
my coworker claims.
And yet I have yet
to let that all go:

the lather-rinse-repeat 
of working weekdays,
somewhere to show up and belong,
the chance to begin all over again
once a new Monday rolls around.


STUCK IN TRAFFIC
EN ROUTE AN INTERVIEW
FOR A JOB I DO NOT WANT

I’m a Tonka truck
on remote surging
in vain to cross
a threshold; roadkill
on the shoulder that
a crow pecks with
its beak; incoherent
garble between radio
stations; the pink fabric
in the other lane flattened
by oily tires; the fly
banging itself against
the windshield miles
from all it knows;
that bumper sticker
half shredded ahead
in which the only 
remaining word is
FUCK



THREE YEARS INTO RETIREMENT

Like a boot heel meeting
the aid of a shoehorn, I renew
residency at the job from which
I was fired during the stay-at-home
lockdown because somewhere in
my subcortical region, denial surges 
at 3 AM and I dream I am winging 
up Glenway Hill to update the database 
with donations, write a descriptive eval-
uation, arrange a board luncheon 
with pecan pie because that clipboard 
and calendar are still mine along with 
the mail to open and sort.
I go incognito when my boss appears

sheathed in black rayon shiny as a crow
or I ghost-float away as the woman 
who replaced me arrives to begin her day.
My coworkers don’t hiss What are you
doing here? but clutch me in relief 
I’m back.

Friday, June 5, 2026

Book of the Week

About to Disappear (Shanti Arts, 2025) by Robbi Nester

 


Comments by Sharon Waller Knutson

Magical and musical are the two words that best describe Robbi Nester’s poetry collection, About to Disappear. Stunning our senses, she showcases her talent for vivid imagery and skillful craftsmanship by painting poetic portraits of people, creatures and landscapes as beautiful as the artists whose work she interprets.

About the book by Robbi Nester

My book, About to Disappear (Shanti Arts, 2025), is an ekphrastic collection with images for many of the poems. Ekphrastic poems respond to other works of art, whether they are other poems, visual art, film, dance, music, or other art form. In this case, all the poems were inspired by visual artworks, many of them famous. I either collaborated with the contemporary artists or the images were in the common domain.

About to Disappear is a poetry collection that explores the limits of ekphrasis; that is, descriptions and reflections on works of art in order to expand their meaning. The book is separated into four sections: Ex Nihilo, Adaptation, Law of Attraction, and Ad Nihilum. The first and final sections-translated as "from nothing, returning to nothing"-act as bookends. Ex Nihilo includes poems about imagination, optics, creation, and and development; while poems in the final section, Ad Nihilum, are about trauma, unmaking, climate change, and catastrophe. Poems in the middle sections are about artistic, psychological, and physical transformations, and natural history and community. Artworks included are from contemporary artists-as well as such artists as Vermeer, Grant Wood, John Singer Sargent, and Edward Hopper.

Praise from other poets:

According to Leonardo da Vinci, 'Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen.' However, in Robbi Nester's fabulous new collection, About to Disappear, nothing vanishes. We see poems, art, the poet, and the world. Nester's lyrical conversations with artists as diverse as Joseph Cornell, Robert Rhodes, Beth Moon, Edward Hopper, Vincent van Gogh, Pablo Picasso, Sally Gall, and even da Vinci himself chart new territories for ekphrasis. Indeed, About to Disappear functions like a gallery in which every poem could be on a wall, talking to everything else in the room. In one of her poems to van Gogh, Nester writes, 'I feel blessed just to be here.' I couldn't agree more."

-Dean Rader, professor, University of San Francisco; author of Before the Borderless: Dialogues with the Art of Cy Twombly

"'The mind is always brewing something . . . ' begins the mesmerizing collection About to Disappear. Part magic trick, part treatise on the imagination, Robbi Nester's ekphrastic poems lure and transform. 'Any plain ingredients, ' the poet explains, 'can rise to the occasion, becoming / a new thing.' Gathering memories, art, science, myth, history-even furniture, sea stars, and aliens-Nester delves deeper into and far beyond our own lives. Like the octopus Nester describes in one poem, each ekphrastic response is 'exactly the shape of whatever / it needs to be.'"

-Marjorie Maddox, author of In the Museum of My Daughter's Mind and Small Earthly Space

"As expansive and magical as the worlds it describes, Robbi Nester's poetry collection, About to Disappear, is a luminous, shape-shifting exploration of perception, transformation, and the alchemy of time. By the light of ekphrastic inspiration and with the deep attention of philosophical inquiry, Nester's poems transmute the ordinary into the extraordinary as clouds reform, light shifts, and unseen 'roots and tubers chart their path through darkness' beneath cold earth. 'Subject only to the weather, we / sail above you, understand solidity / as an illusion. In time, / wire rusts. Wood grows porous, / stone swells and contracts / so often it reverts / to sand, ' Nester writes, reminding us that nothing is so permanently wrought into form that it will not eventually dissolve and reclaim its wild potential, becoming, once more, the possibility of a new becoming." 

-Melissa Studdard, librettist / lyricist, podcaster, and poet; author of Dear Selection Committee and I Ate the Cosmos for Breakfast

"In About to Disappear Robbi Nester takes inspiration from many different artists and perspectives, but one thing remains true: the poet is the paintbrush . . . and more. Each poem stands on its own and does not require the reader to see or know the inspirational piece. You may want to check out the art later, but there is no need to see the pieces to understand the poems." 

-J. P. Dancing Bear, writing consultant and editor of Verse Daily


American Gothic

  After Grant Wood’s portrait
Weathered as the barn behind them,
hard-eyed and narrow, this pair
has a history that never needs to be spoken—
all the bad harvests, floods, ill fortune. 
A few sparks shielded between their palms.
What little they own they built themselves.
No patience for roses. When they look
at the golden fields, they see only
what those sheaves will buy—a new roof,
some boots, a mule. They teach this
bitter wisdom: we must wrestle
this angel, the earth, until it yields, 
must take what we can
before the storm comes, 
before we return to dust. 

Evolving Sirenian
   After a painting by Sallie Swift

Everything in the ocean becomes something else.
Colonies of coral, once a soft carpet of color, 
become brittle and white, the stuff of island sand.
The octopus embodies this quality of change. 
Exactly the shape of whatever it needs to be, 
the octopus pours itself between two rocks. 
Its tentacles curl like breakers, tangled kelp fronds.

Caught in the act of transformation, the octopus 
takes on the blue and orange of a large carcass, 
flesh peeling in flakes from its side. Then, it 
disappears, skin puckering in mock putrescence, 
eye gaping like a wound.  No wonder sailors 

wandering at sea once mistook this creature for 
a woman, hair trailing behind her in the green-blue 
surf, singing the most beautiful song.


Flamingo in Lake Natron, Northern Tanzania
  After a photograph by Nick Brandt

From above, the lake seems a kind of paradise, 
the breeding ground of many migratory birds. 
Already, flocks dot the shore. Yet the water teems 
with hundreds of fallen birds looking for a place 
to stretch and preen.

Those lured by the mirror of the lake’s red water, 
so bright it’s visible from space, will die in this
runoff from the volcano, Ol Doinyo Lengai. 
Their feathers harden into clumps of brittle string, 
flattened winter weeds. Their wings lie heavy, 
will never feel the touch of air again.

The hollow reeds that were their legs stuck fast 
in silt, the boiling water thick as blood, 
a bitter brew that turned them all to salt.


On Adaptation 

  Inspired by After the Rain (1879), Arkhip Kuindzhi, Solaris (1972), 
      Andrei Tarkovsky, and Solaris (1961), a novel by Stanislaw Lem

I peer from the portal, afraid to find
some portion of my past projected
on the mirror surface of this alien 
world. The field beside the barn 
takes shape as I watch, wrenched 
whole from its foundation in memory, 
dropped like a seed onto what had been 
bare rock between two continents. 
In this incarnation, the rain has just 
ended, will soon begin again. 
Dark clouds brood over the fields, 
flashing, phosphorescent,
like deep-sea jellyfish. I suppose 
at home we’d call this night,
and yet it isn’t quite, something other 
than the ordinary. Cows still browse, 
yet the sky, spent by the storm, 
has at last left off illuminating 
the surface of the planet, 
a task taken up by this bright meadow, 
this farm, simulacrum of our green island, Earth.

Still Standing

After Ivy and Winslow, David Graeme Baker

At first glance, I think she is a teacher
drawing on the chalkboard. One finger
rests on the crevice where the chalk is kept.
The other arm sweeps wide, into an arc
on the board’s murky green surface,
where transparent moon-jellies swarm:
words poorly erased. She drafts a magic
circle to protect her. Yet her feet are bare,
standing in a pool of long-dried paint,
as in a spotlight. I decide this is an abandoned
school, site of a shooting, now her studio,
where she can drop the line of her imagination,
netting the unexpected, lost voices of a thousand
children and their teachers. She probes a past
she doesn’t really know, like a scientist who
studies creatures making their own cold light
in the deepest ocean, dreams and dreams again
about this ruined room, its light and shadows,
settled dust, compelled to paint it in bright hues,
to return and make this place a kind of shrine,
left standing to remind us of all that has been lost.

To buy the book:

https://bookshop.org/p/books/about-to-disappear-robbi-nester/7a45626480903ea3?ean=9781962082884&next=t

https://www.amazon.com/About-Disappear-Robbi-Nester/dp/1962082881/ref=sr_1_1?crid=2AI08ENJ50HSD&dib=eyJ2IjoiMSJ9.oDjeYaZF08UikVfLi16Y4A.Sl3g3hHv53lY8u1jMl-_9efBgbtAKHg_5YAwRGRwDJc&dib_tag=se&keywords=about+to+disappear+robbi+nester&qid=1772585882&s=books&sprefix=about+to+dissapeaar+robbi+nester%2Cstripbooks%2C224&sr=1-1
https://shantiarts.co/#gsc.tab=0

http://www.robbinester.net/
 

Growing up in Sheffield, England

Lynn White   Lynn White as a child By Lynn White The first home I remember is the one described in 'Bath Time'. It was in Sheffield ...