Friday, June 19, 2026

Book of the Week

 Balance (Moonstone Arts Press 2025) by Laurie Kuntz 


 

Comments by Editor Sharon Waller Knutson

Wise and skillfully crafted is the best way to describe Laurie Kuntz’s new poetry collection, Balance, in which she opens up her life to us and gives us insight into how to balance marriage, motherhood and aging and learn how to live with the curve balls life throws us.

I think the life lessons she teaches us are best summed up in the last stanza of the title poem,

Balance:

We need that balance 
to embrace an endless summer state of mind
while dancing in the eye of a storm.

This is how Laurie Kuntz describes the book:

“Balance contains poems about my expatriate existence, cross-cultural experiences, and assimilating back into my own American culture as an aging woman, parent, and partner to the person with whom I share my adult life.  Balance is a collection of poems, which reflects upon finding a place of safety and acceptance while grappling with societal and personal issues of dissension, alienation, and assimilating into one's personal strength and identity.”

Praise from the Poet’s Peers: 

Laurie Kuntz’s Balance is filled with rare insights into interstitial moments, those in-between times when love is neither new nor exhausted, when we are aware of our lives as works in progress, moving toward an unknowable future. Kuntz tells us, “We know we live on a brink, / brink of storm, brink of heartache, brink of all that breaks.” It takes courage for a poet to explore that brink, to live in it, and to allow us to live there with her, in a place without posturing, guarantees, or false promises, but if there is value to our lives, it comes from noticing the flashes of meaning we can find there, such as “A screen door held open or gently shut / after shared cups of chamomile tea on a rainy day.” As Kuntz reminds us, “Between the landing and next jump / are the daily interactions that prove us human.”

– George Franklin, author of A Man Made of Stories.

"There is much wisdom in this book. The voice that holds these poems together is one of experience, insights, and empathy. Laurie Kuntz writes beautifully and truthfully, and in her we trust. Balance contains the still point that we need to get us through these tumultuous times."

 – Bunkong Tuon, author of Koan Khmer and What Is Left


“In this deeply moving collection of 25 poems, the quiet rhythms of marriage, the slow arc of aging, and the ache of grief are brought into focus.  The verses in Balance are simultaneously tender and unflinching.  They explore moments in life that place one squarely on a fulcrum, striving for balance and perspective.  The world and its continual wars also bring a personal and collective need for reckoning. One leaves the pages of this book with “an astonished and renewed light” (“Solstice), and a new respect for Laurie Kuntz’s resonant poetic voice.

 – Judy Ireland, poet & author of Cement Shoes (2013) 


Some of my favorite poems:

Options

In the beginning,
we had time to tally
who spited, who hurt,
who forgave first.

We could nurse our anger
for weeks turning it into a game,
until one of us cried "Uncle."

We bullied time thinking 
it would never fight back,
but now time wins and winds
around us with an aging wisdom.
 
It hardly matters who dirtied  
the new white towels,
forgot to turn off the lights,  
lock the back gate,
ate the last poppy seed muffin, 
broke the porcelain coffee mug, 
or refused to kill the spider.

One of us will always be left  
hungry, in the dark, afraid 
of things that crawl into open entryways.

In our waning days together,
we can no longer waste 
the time that stretches between us.

Our history is branded by the flames we create.
We can choose to stay in the pan, or jump into the fire.


While My Husband Forgets Our Anniversary

He is making tomato sauce on a rainy Sunday
he grows tomatoes , good for the prostate, 
which I do not have, but I like his tomato sauce, nonetheless.
I offer to help him cut the soft overripe batch of ruby Comparis,
my hand nervous on the knife, after all he is oblivious
to this day, 55 years ago that we met, 37 wedded legal ones,
somewhere I have the paper to prove it. 
Later, he calls me back into the kitchen, asks me to taste--
questions the flavor, the saltiness.
Perhaps a dab of sugar is needed.
Don't burn your tongue he says, as I lift
the spoon to my lips, and tell him it is perfect.


Long Division

In the framed photo 
that sits on a dusty sill, 
the two of us draped
in a landscape of wildflowers,
flowers only you could name:

larkspur, foxglove, yarrow.

We were envied
for our spirit and the grace 
in which we walked, talked, and loved.

You believed in the overall 
goodness of every gesture,
I fixated on details, 
dissecting all we  shared:

larkspur, foxglove, yarrow.

I was the worst of us,
You had the more genuine smile,
the thicker hair, the thinner frame,
the floating gait, the accepting heart.

This kind of  love between opposites
 can only remain intact
when put in a gilded frame:

larkspur, foxglove, yarrow.

We parted in summer, 
when the lavender bushes were in full scent.
Now, approaching another bloom
you come back to me, but only in this photo 
where we walk those blooming paths:

larkspur, foxglove, yarrow.

 Once, in an uninterrupted dream,
I saw you in a crowded bar--
a place you would never enter... 
far from rural hideouts.

(continued with stanza break)


You were surrounded by friends, 
the kind I have now that you are gone
they loved you, not me. 
In this dream, you were the best of us. 

I am foolish to ignore the years falling 
like rusty coins from a frayed pocket.

When I stare at the photo,
engraving your weak smile into memory,
I still try to do the math of forgiveness,
but you are bent on long division.

Sister, sharer of secrets, maker of plans
until the plans never ripened 

Unlike, larkspur, foxglove, yarrow.

 

 Between

If our lives were lived in a straight line
like holding ends of a jump rope--
one turner madness, the other magic,
we would learn to rise in rhythm
with each arc of the rope and all that happens
in a moment of becoming airborne.

Between the landing and next jump
are the daily interactions that prove us human:

The nod of passing hikers scaling an uphill trail.
The placing of coins in a palm by the shopkeeper
after asking how your elderly mother is doing.
A screen door held open or gently shut
after shared cups of chamomile tea on a rainy day.
The manicurist who shapes your nails into a spring color palette.
A pitanga bush overhanging the bridge
never failing to drop its red dappled berries into the lap of April.

Each handshake, hug, and embrace
is a life in the telling, stories that will end
in a skip, jump, and final landing
between madness and magic.


Balance

I could write endlessly 
about all things foreboding--
hurricanes and turbulence
more likely due to  warmer air 
that carries us to  a season 
we hope to thrive in.

From June's blossoms come 
a life in harvest,  
dark soil blankets the roots 
of all that green:
a pasture, cross haired vines, 
meadows abundant with wild petals 
upon petals, every bloom opens 
to summer's endless embrace, 
and we live as if nothing will ever end.

But, an end always comes,
hurricanes and turbulence takeover
a country's spirit, a body's betrayal,
an erosion of simple kindness.

Yet, somewhere a child 
is learning to ride a wave,
someone's mother is picking lilacs and lavender,
a father holds the seat of a two wheel bike
promising not to let go. 

We need that balance 
to embrace an endless summer state of mind
while dancing in the eye of a storm.



Friday, June 12, 2026

Can’t Let Go of Being Let Go

Shoshauna Shy

 

 
Shoshauna Shy

By Shoshauna Shy

This series of poems involves the finale of my 28-year administrative assistant career which ended in 2021 during the pandemic.


PANIC

They say we don’t remember 
what others tell us as much as how 
they make us feel

and so it’s a raw November wind 
at a picnic table in this wooded park 
where my office mates and I once
gathered in photo-ready outfits 
for pizza on workdays.
My boss is seated there 
waiting for me.
The wind is strong enough to blow
her black hair straight off her shoulders

hair at a length dictated by the pandemic 
that has kept us out of hair salons.
Her black mask covers the scars 
around her mouth that her dog left 
when he bit her.
She says she is cutting my hours—

which means I will lose my health 
insurance while my husband undergoes
a needed surgery, and if I retire, I’ll draw
a higher income from my pension.
Of course she doesn’t spell it out that way—

but the cold water splashing 
down my windpipe does
               

OUSTED

A coworker tries
to help me weather
a forced transition
to retirement.
Remaining in the workplace,
she is estranged from her daughter,
has a son out-of-state,
and a husband lying captive
in Memory Care.
Mine is young enough to tour
Japanese gardens, lay flooring tile,
trim a honey locust.
Savor what you have
she pleads with me

while I yearn for the office
with its calendar pages
and klickitat keyboards,
the duties rotating
on their biweekly cycles.
Four clerical decades,
and no need that it end.
In my banishment, 
I imagine the staff
lounging in the sunshine
of paid vacations,
feathering nest eggs
with the skimmed cream
of paychecks, gathering
at abundant potlucks
to discuss new projects,
new schemes.
Those days I played lighthouse
greeting their arrivals
frayed to bits by a long pandemic year;
I, gray-haired in my ankle hems,
blown away like dandelion fluff.

You have a husband, a brother,
your kids, your mother–the rest
is just bullshit! 
my coworker claims.
And yet I have yet
to let that all go:

the lather-rinse-repeat 
of working weekdays,
somewhere to show up and belong,
the chance to begin all over again
once a new Monday rolls around.


STUCK IN TRAFFIC
EN ROUTE AN INTERVIEW
FOR A JOB I DO NOT WANT

I’m a Tonka truck
on remote surging
in vain to cross
a threshold; roadkill
on the shoulder that
a crow pecks with
its beak; incoherent
garble between radio
stations; the pink fabric
in the other lane flattened
by oily tires; the fly
banging itself against
the windshield miles
from all it knows;
that bumper sticker
half shredded ahead
in which the only 
remaining word is
FUCK



THREE YEARS INTO RETIREMENT

Like a boot heel meeting
the aid of a shoehorn, I renew
residency at the job from which
I was fired during the stay-at-home
lockdown because somewhere in
my subcortical region, denial surges 
at 3 AM and I dream I am winging 
up Glenway Hill to update the database 
with donations, write a descriptive eval-
uation, arrange a board luncheon 
with pecan pie because that clipboard 
and calendar are still mine along with 
the mail to open and sort.
I go incognito when my boss appears

sheathed in black rayon shiny as a crow
or I ghost-float away as the woman 
who replaced me arrives to begin her day.
My coworkers don’t hiss What are you
doing here? but clutch me in relief 
I’m back.

Friday, June 5, 2026

Book of the Week

About to Disappear (Shanti Arts, 2025) by Robbi Nester

 


Comments by Sharon Waller Knutson

Magical and musical are the two words that best describe Robbi Nester’s poetry collection, About to Disappear. Stunning our senses, she showcases her talent for vivid imagery and skillful craftsmanship by painting poetic portraits of people, creatures and landscapes as beautiful as the artists whose work she interprets.

About the book by Robbi Nester

My book, About to Disappear (Shanti Arts, 2025), is an ekphrastic collection with images for many of the poems. Ekphrastic poems respond to other works of art, whether they are other poems, visual art, film, dance, music, or other art form. In this case, all the poems were inspired by visual artworks, many of them famous. I either collaborated with the contemporary artists or the images were in the common domain.

About to Disappear is a poetry collection that explores the limits of ekphrasis; that is, descriptions and reflections on works of art in order to expand their meaning. The book is separated into four sections: Ex Nihilo, Adaptation, Law of Attraction, and Ad Nihilum. The first and final sections-translated as "from nothing, returning to nothing"-act as bookends. Ex Nihilo includes poems about imagination, optics, creation, and and development; while poems in the final section, Ad Nihilum, are about trauma, unmaking, climate change, and catastrophe. Poems in the middle sections are about artistic, psychological, and physical transformations, and natural history and community. Artworks included are from contemporary artists-as well as such artists as Vermeer, Grant Wood, John Singer Sargent, and Edward Hopper.

Praise from other poets:

According to Leonardo da Vinci, 'Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen.' However, in Robbi Nester's fabulous new collection, About to Disappear, nothing vanishes. We see poems, art, the poet, and the world. Nester's lyrical conversations with artists as diverse as Joseph Cornell, Robert Rhodes, Beth Moon, Edward Hopper, Vincent van Gogh, Pablo Picasso, Sally Gall, and even da Vinci himself chart new territories for ekphrasis. Indeed, About to Disappear functions like a gallery in which every poem could be on a wall, talking to everything else in the room. In one of her poems to van Gogh, Nester writes, 'I feel blessed just to be here.' I couldn't agree more."

-Dean Rader, professor, University of San Francisco; author of Before the Borderless: Dialogues with the Art of Cy Twombly

"'The mind is always brewing something . . . ' begins the mesmerizing collection About to Disappear. Part magic trick, part treatise on the imagination, Robbi Nester's ekphrastic poems lure and transform. 'Any plain ingredients, ' the poet explains, 'can rise to the occasion, becoming / a new thing.' Gathering memories, art, science, myth, history-even furniture, sea stars, and aliens-Nester delves deeper into and far beyond our own lives. Like the octopus Nester describes in one poem, each ekphrastic response is 'exactly the shape of whatever / it needs to be.'"

-Marjorie Maddox, author of In the Museum of My Daughter's Mind and Small Earthly Space

"As expansive and magical as the worlds it describes, Robbi Nester's poetry collection, About to Disappear, is a luminous, shape-shifting exploration of perception, transformation, and the alchemy of time. By the light of ekphrastic inspiration and with the deep attention of philosophical inquiry, Nester's poems transmute the ordinary into the extraordinary as clouds reform, light shifts, and unseen 'roots and tubers chart their path through darkness' beneath cold earth. 'Subject only to the weather, we / sail above you, understand solidity / as an illusion. In time, / wire rusts. Wood grows porous, / stone swells and contracts / so often it reverts / to sand, ' Nester writes, reminding us that nothing is so permanently wrought into form that it will not eventually dissolve and reclaim its wild potential, becoming, once more, the possibility of a new becoming." 

-Melissa Studdard, librettist / lyricist, podcaster, and poet; author of Dear Selection Committee and I Ate the Cosmos for Breakfast

"In About to Disappear Robbi Nester takes inspiration from many different artists and perspectives, but one thing remains true: the poet is the paintbrush . . . and more. Each poem stands on its own and does not require the reader to see or know the inspirational piece. You may want to check out the art later, but there is no need to see the pieces to understand the poems." 

-J. P. Dancing Bear, writing consultant and editor of Verse Daily


American Gothic

  After Grant Wood’s portrait
Weathered as the barn behind them,
hard-eyed and narrow, this pair
has a history that never needs to be spoken—
all the bad harvests, floods, ill fortune. 
A few sparks shielded between their palms.
What little they own they built themselves.
No patience for roses. When they look
at the golden fields, they see only
what those sheaves will buy—a new roof,
some boots, a mule. They teach this
bitter wisdom: we must wrestle
this angel, the earth, until it yields, 
must take what we can
before the storm comes, 
before we return to dust. 

Evolving Sirenian
   After a painting by Sallie Swift

Everything in the ocean becomes something else.
Colonies of coral, once a soft carpet of color, 
become brittle and white, the stuff of island sand.
The octopus embodies this quality of change. 
Exactly the shape of whatever it needs to be, 
the octopus pours itself between two rocks. 
Its tentacles curl like breakers, tangled kelp fronds.

Caught in the act of transformation, the octopus 
takes on the blue and orange of a large carcass, 
flesh peeling in flakes from its side. Then, it 
disappears, skin puckering in mock putrescence, 
eye gaping like a wound.  No wonder sailors 

wandering at sea once mistook this creature for 
a woman, hair trailing behind her in the green-blue 
surf, singing the most beautiful song.


Flamingo in Lake Natron, Northern Tanzania
  After a photograph by Nick Brandt

From above, the lake seems a kind of paradise, 
the breeding ground of many migratory birds. 
Already, flocks dot the shore. Yet the water teems 
with hundreds of fallen birds looking for a place 
to stretch and preen.

Those lured by the mirror of the lake’s red water, 
so bright it’s visible from space, will die in this
runoff from the volcano, Ol Doinyo Lengai. 
Their feathers harden into clumps of brittle string, 
flattened winter weeds. Their wings lie heavy, 
will never feel the touch of air again.

The hollow reeds that were their legs stuck fast 
in silt, the boiling water thick as blood, 
a bitter brew that turned them all to salt.


On Adaptation 

  Inspired by After the Rain (1879), Arkhip Kuindzhi, Solaris (1972), 
      Andrei Tarkovsky, and Solaris (1961), a novel by Stanislaw Lem

I peer from the portal, afraid to find
some portion of my past projected
on the mirror surface of this alien 
world. The field beside the barn 
takes shape as I watch, wrenched 
whole from its foundation in memory, 
dropped like a seed onto what had been 
bare rock between two continents. 
In this incarnation, the rain has just 
ended, will soon begin again. 
Dark clouds brood over the fields, 
flashing, phosphorescent,
like deep-sea jellyfish. I suppose 
at home we’d call this night,
and yet it isn’t quite, something other 
than the ordinary. Cows still browse, 
yet the sky, spent by the storm, 
has at last left off illuminating 
the surface of the planet, 
a task taken up by this bright meadow, 
this farm, simulacrum of our green island, Earth.

Still Standing

After Ivy and Winslow, David Graeme Baker

At first glance, I think she is a teacher
drawing on the chalkboard. One finger
rests on the crevice where the chalk is kept.
The other arm sweeps wide, into an arc
on the board’s murky green surface,
where transparent moon-jellies swarm:
words poorly erased. She drafts a magic
circle to protect her. Yet her feet are bare,
standing in a pool of long-dried paint,
as in a spotlight. I decide this is an abandoned
school, site of a shooting, now her studio,
where she can drop the line of her imagination,
netting the unexpected, lost voices of a thousand
children and their teachers. She probes a past
she doesn’t really know, like a scientist who
studies creatures making their own cold light
in the deepest ocean, dreams and dreams again
about this ruined room, its light and shadows,
settled dust, compelled to paint it in bright hues,
to return and make this place a kind of shrine,
left standing to remind us of all that has been lost.

To buy the book:

https://bookshop.org/p/books/about-to-disappear-robbi-nester/7a45626480903ea3?ean=9781962082884&next=t

https://www.amazon.com/About-Disappear-Robbi-Nester/dp/1962082881/ref=sr_1_1?crid=2AI08ENJ50HSD&dib=eyJ2IjoiMSJ9.oDjeYaZF08UikVfLi16Y4A.Sl3g3hHv53lY8u1jMl-_9efBgbtAKHg_5YAwRGRwDJc&dib_tag=se&keywords=about+to+disappear+robbi+nester&qid=1772585882&s=books&sprefix=about+to+dissapeaar+robbi+nester%2Cstripbooks%2C224&sr=1-1
https://shantiarts.co/#gsc.tab=0

http://www.robbinester.net/
 

Book of the Week

 Balance (Moonstone Arts Press 2025) by Laurie Kuntz    Comments by Editor Sharon Waller Knutson Wise and skillfully crafted is the best way...