Friday, July 31, 2026

Four Departed Loved Ones Who Visit Me in Dreams

 Joan Leotta

 


  My Dad

By Joan Leotta

The death of loved ones, first my grandmother, who I loved dearly, then my wonderful father, my dear mother, and devastatingly, our beloved son, Joe, were events that sent me into spirals of sadness. The spirals still come, but some relief for the grief also arrives in my thinking about our good times together and writing about them. I also talk to them, sometimes simply a few words where I am, in the store or passing by a place we both enjoyed and they also talk to me, mostly in dreams.

Below, I relate some poems about these dreams/and comforting memories in the order of their deaths. I believe death is powerless to sever our ties with ones we love. 

Grandma.

Grandma’s soup and kitchen figure prominently in many of my poems and dreams
Not long after I wrote the poem below, I dreamt of Grandma, realized I could talk to her again, and in fact not long after did dream of her and her soup and recorded that in the haiku that follows this poem.
 
Listening to Radio in the Kitchen
 
On the top of her kitchen cabinet,
usually “on”, Grandma’s
beige Bakelite radio, daily
blared out the travails of
Stella Dallas or the sweet
melodies of an Italian music show.
 
I often sat at her gray
Formica table to watch her
turn plain vegetables into soup,
knead flour into loaves of bread, or
clip the paper top off of a tall
tin container of fresh ricotta.
 
The fresh ricotta was
what I loved best—
its cream often had risen to top
and if I had been good that day,
Grandma would let me
skim off some to eat in my
 
favorite periwinkle Fiesta ware bowl
before her spoon stirred the
rest of the cream back
down into the container for
her to could transform into
filling for her homemade ravioli.
 
Her radio is gone, but
I make my own soup, her recipe,
and spoon it into that
same Fiesta ware bowl.
while listening to podcasts on my radio,
sitting in my own kitchen,
and wishing I could talk to Grandma.
 (This first appeared in Verse virtual, 2023)                       
 
late night sneezes–
I dream of grandma’s soup
wake up well
 
 
My Dad

Dreaming about my father has taken many forms—midnight suppers with him, Dad coming to (a pharmacist) advise me on how to help cure my cold’s lingering drippy nose (saline spray to stop nasal drip), and in a time of anxiety, in this poem, he reminded me, he and other beloveds wait for me on "the other side."
 
Dreaming Across the Styx
 
My father walks into my view.
He is in a long, narrow room,
wearing his tan trench coat.
A finely blocked felt hat
tops his jet-black, wavy hair.
He tamps down the tobacco
in his cherry wood pipe, then turns
to  me, his brown eyes twinkling.
He steps back into
a poorly lit hallway I do not recognize.
Dad removes his coat and
sits in an orange plastic chair.
Coat on his lap,
he draws softly on the pipe and
nods toward me .
Cherry -flavored tobacco smoke
soothes me.
Dad is waiting for me,
as always.
Through theatre classes
piano lessons, dance lessons.
Patiently enmeshed in his own thoughts,
he waits without complaint.
 
Suddenly I wake.
I'm at home.
No hallway. No chair.
No cherry tobacco.
Only the smell of coffee.
My father smiles from his photo.
Some say dreaming across the Styx means
Ferryman Charon will soon arrive.
            But not for me.
            Instead of Charon,
my own beloved father
waits, patiently, to
ferry me across the Styx
in his white 1960 Thunderbird.
 
First published, Red Wolf Journal, Summer 2014
Included in my chapbook, Languid Lusciousness with Lemon
 
 
Mom

She and I traveled together because my dad did not like to travel. About thirty years after that, I recreated the same photo with my daughter, Jennie, and me. One note--for the longest time, my mother did not make an appearance and her poem explains why. (Interestingly, she began to appear in my dreams after I wrote this ekphrastic poem).
 
 
Magritte’s Apple Explains It All  
After Magritte’s Apple

One glance at this canvas and I knew the answer
to the conundrum troubling my heart:
Why in the twenty years since she has left this earth,
has my mother not visited me in a dream?

Dreams, those moments when the conscious mind relaxes
when life’s everyday reality joins with matter deep inside
bridging that line between the known and mystery--
in that land of dreams I’ve often watched, met, even talked with
my grandmother, father, aunts, and son. 
All of these beloved departeds have spoken to me. 
My son has directly addressed me more than once.
Only my mother has never appeared. Never even walked
across my mental stage as a cameo.

Occasionally, I admit, I worry that perhaps she doesn’t visit
because I did not love her enough in life for her to remain connected.
But how can that be, when I know I loved her then and still
love her very much?
In life, we laughed and argued, had much to say to one another.
I wear her jewelry, cook her recipes, , chuckle over her sayings,
and, regularly, even though it's been twenty years,  when 
I open the drawers of her wooden vanity, the aroma of Youth Dew
wafts up to meet me. 

Now, Magritte has helped me understand.
My mother does not need to wait for night, for dreams to return.
She fills my days in many ways.
She does not come in dreams because she has never really left 
my waking moments.
She fills the room of my consciousness, my crisp green apple
of a mother, larger than life—even in death.
 
Son

Joseph Gabriel Leotta, 1982-2002

The death of our son was the most difficult of these four for me. At times I wondered if I would ever have joy again in life. The poem below, a found poem of sorts since is distilled form a longer essay with the same title, recounts a dream and more where he comes to me and the poem tells how I found joy again through a memory of Joey learning to hang glide in the Outer Banks.
 
 
The Day I Learned to Fly
 
On our Outer Banks Vacation trip in March of 2000,
Joe was most excited about learning to hang glide.
I accompanied him to the high dunes learning center,
stood close to the to the group to snap pictures,
heard the instructor tell them,
"The key to successful flight is to be still,
to let the wind lift you.”
 
Although I did not know it then, it was our last vacation.
Two years later in March, Joe was hit by a car while
crossing the street at Virginia Tech and died a few days later.
In my grief, I struggled with simply living every day.
The idea that I could once again function normally,
even experience joy, seemed impossible—until I recalled the words of
Joe’s flight instructor—
“Be still and let the wind lift you.”
From that moment, I began to focus on God,
on others, instead of my grief, on good memories,
let the Spirit work in my heart to lift me.
Indeed, just as Joe, going airborne in a glider
I learned to sail above my grief,
This world’s troubles—that day I learned to fly,
began again to experience the joy’s exhilaration.
Joe began to come—visiting through dreams
first telling me, not to worry I’d failed as a mom--that
indeed, I had taught him to look both ways before
crossing a street, saying he had simply
not done so that night. I began to
chat with him by day, and in quiet moments,
such as when seated at our dining table,
writing, or having coffee, I was rewarded with
feeling his hand on my shoulder,
patting me as he did when in life he
would walk by and again I could
hear him murmur as he touched me,
“Love you, Mom, Love you.”
The day I realized joy, a part of love
does not cease when loved ones pass
 into the next world, that we too can fly,
powered by the joy of our love for them
if we do not struggle against it, because
because they are still with us, that is the
day I learned to fly—joyously.
 
 
 


Friday, July 24, 2026

Book of the Week

 buck naked is the opposite of hate Sheila Na Gig Editions (2026) by Joe Cottonwood

 

  
 

Comments by Editor Sharon Waller Knutson

It isn’t often that I read a title of a book and instantly know who authored the book without even reading the byline. The minute I read: buck naked is the opposite of hate, I knew it was a Joe Cottonwood poetry collection full of crazy characters we love to love and hate and sympathize with as we read their raw, honest, heartfelt and heartbreaking stories.  Joe has a talent for telling a story that makes me laugh and cry at the same time. Like Hemingway, in language anyone can understand, Joe explores the human condition through the lives of everyday people he meets in his childhood and as a carpenter, neighbor and nature lover. As we frolic through fun redneck country, he introduces us to bullies, barefooted Blue Grass lovers, beer drinkers and blue-collar workers with dirt under their fingernails.  He gives a new perspective on life. It seems the older Joe gets, the wiser he gets. I treasure the book he autographs: To Sister Sharon, even though he is recovering from shoulder surgery and read it cover to cover, feeling like I am with family as I listen to the doves chattering by the pond and imagine Brother Joe doing the same in his house under the Redwoods.


About the book by Joe Cottonwood

Buck naked poems wear the innocence of youth, the wisdom of nature, the experience of craft. They come of a lifetime in the building trades, of sawdust embedded beneath fingernails. Of the questions of children and the adventure of their raising. Of the wisdom of birds, the pawprint of raccoon, the loyalty of dog and the wariness of cat. Of romance, of a lifetime love. Of digging trenches, connecting wires, banging nails. Of a reverence for trees, of the guilt of slicing wood, of the pleasure of providing comfort and shelter. Of ancestors, of ghosts. Of, each day, seeking the humane. 


Praise from fellow poets.

I don’t often envy other writers, but there’s Joe Cottonwood. To read his poems, you’d think he’s lived every life I imagined but never quite got to. It isn’t just that he’s a mesmerizing storyteller, it’s that he shows you in poem after poem what it means to be human, to have a sense of compassion, to be a good person because it’s right. And does it in poetry that says “Stay here a while. See what I see, feel what I feel.” His reverence for nature and for craftsmanship, for the good that is in the people he writes about, is a quality that is too seldom found. My advice? Sit down with this book of poetry and step into a world where even pain can be gentle. Then thank Joe for letting you in.

—j.lewis (Jim Lewis): Editor of Verse-Virtual and author of “all these things are broken.”

I never know where I'll be going when I read a Joe Cottonwood poem. It's as though he pulled up in a pickup truck, shouted "Get in!" and off we barrel down a dirt road chunky with rocks and storm-torn branches, a ragtag assemblage of dogs barking in the back. Joe's poems are fresh and unroasted, like he just thought them up a minute ago, right there in your company. When you join him while he smoothens pine "sweet as sugar" or solders a copper pipe outside a McMansion, you'll share Joe's reverence for bird's-eye maple, the warmth of water, and for the English language itself.

----Shoshauna Shy, author of  Shortcut to Thief River Falls

Like his fellow Californian John Steinbeck, Joe writes of common people with an uncommon grace. Joe's poems are tales of daily life — of his wife and children, his friends and neighbors. He illuminates the elemental truths which connect us all. Reverent and loving. Joe's humanism and strong heart suffuse his work, and through his poems he finds, embraces, and shares with us that bit of the sacred which is woven into the ordinary.

— Roderick Bates, Editor, Rat's Ass Review

 

The 92 pages of poems is divided in four sections: In Muddy Water, Rough Cut, Swallowed by Lions and Let Go Like a Dove. 

 

Some of my favorite poems:

My Song Americana

I come to you barefoot
I chew bluegrass, drink corn
My rain is muddy water

My hands are raw from picking cotton
My lungs are black with coal
My farm is dust

I follow rivers by raft, 
herd longhorns by horseback, 
ride boxcars over endless plain

I killed the native and the buffalo
I regret
I sing of what remains

I am outlaw—I seek justice
I celebrate love—I betray it
I despise the rich—I want riches

I raise children in rags 
They outgrow my front porch, 
my tumbledown shack
I shame them with my twang, 
my holler of blues

My children trade tractors for Teslas
They bring the south north
They take the west east

My children return with fresh children 
who throw off shoes, who paddle kayaks, 
who jump into muddy water 
and come up clean


Lester and Maggie and the 4-Wheel Bed

Gruff gray Lester and Navaho Maggie 
have no offspring but treat me like one. 
For Lester I knock down a wall 
and install fat rubber wheels under 
the walnut monster of a double bed
they've shared 60 years—so he can roll 
Maggie to the dining room and kitchen. 
Magpie of Dawn, Lester says. 
She keeps an eye on me. 
Maggie's delighted, room to room 
joking and chattering sometimes in Navaho 
and you get used to the scent of urine.

Rolling is difficult for Lester who limps 
and later more cumbersome with oxygen tanks 
so I'm replacing cupped floor boards 
when Maggie who is watching me work 
points to a pair of coyotes—
one large wary male, one smaller calm female—
outside the window sitting on haunches 
by the broken-down tractor staring right at us, 
not unusual for a ranch house outside town but
then we hear a gurgling sound like water in a drain. 
Lester a big man leaps to Maggie's side. 
Bends his head to her heart while outside 
in broad daylight those coyotes start to howl. 
The two. Aroo-oo. 
It tingles. 
The air itself seems to glow. 
Lester grabs his rifle from the wall and runs
to the window but those coyotes don't flinch.
Aroo-oo. 
He lowers the gun with shaky hands, says 
They're calling her home.

A couple weeks later after the service 
Lester in his old wedding suit tight and ragged 
hands me a cardboard box containing the wheels 
he's removed and there's a note: 
For the next. 
Help them go home.
Now I'm no coyote but that box is 
on the top shelf in the garage. 
I'm telling you, son, so you'll know.


Walter Johnson fires a fastball,
Elvis Presley crowds the plate

At a tender age you learn to glaze windows 
when you pitch tennis balls to the brick wall 
of your house. You learn curveball and fast, 
you try the knuckle, sweep glass. 

You learn to hate the mulberries 
that squish over the pitching mound. 

You play next door with Mary Anne Morningstar
and you love the Elvis songs blaring 
from her tinny transistor radio
as much as you hate the menacing hillbilly accent 
of her full bourbon father who yodels 
“Love me tay-ender, Love me troo-a-oo-a-oo.” 

You find you can improve your arm 
only as far as your body will allow, 
one fat pitch can erase ten good ones, 
there’s always some batter with a better eye, 
some coach with a mean streak. 

You learn your back yard was formerly 
farmland owned by Walter Johnson, 
one of the greatest pitchers of all time. 
Your mulberries fed his chickens. 
May his spirit feed your arm. 

You develop hair down there
and see Mary Anne burst into tears
when you ask to see hers.
You jump back as she launches 
a stone like a fastball into the radio 
smashing it to jewels of plastic.

You learn she hates Elvis 
and she hates her dad for his pelvis
and she loves God instead, 
and you think maybe you love Mary Anne 
like Elvis loves his momma
in a tender non-icky way.

You learn to cut glass, to curl putty with a knife.
You learn Walter Johnson after baseball 
became an incompetent small time politician 
and Elvis in Vegas turned squishy as mulberry. 

You learn the easy passage from genius to fool.
Constellations fade with the dawn. 
Remember Mary Anne. 
Remember the stars.

……

Note: When Walter Johnson pitched for the Washington Senators he had a farm in Maryland. The house where I grew up was built on that farmland.


Working graveyard shift 

my sleep is nuts
so on nights off I walk the dog at 3 a.m.
hoping a German shepherd normalizes me
except Quinn growls at the cop
who stays in his cruiser
talking through the open window
just letting me know somebody called 
from one of those dark houses
but there’s no law against walking at 3 a.m.
so have a good night.

Sometimes I jog the golf course under quiet stars. 
I let Quinn off the leash.
Together we run over grass. 
Even without a canine nose I love the smell, 
the sound of sleeping snoring chlorophyll.  

One night I’m running when the sprinklers start.
Immediately before I can think better
I pull off my clothes, every stitch.
I run. So free! It’s fantastic, the dog agrees 
until I trip
and roll
but that’s fantastic too
except the bruises
and suddenly the spotlight, the cop.

I have mud on my body, grass in my hair.
The sprinklers keep chug-chug-chugging in circles
splat with cold bullets across my butt
as the cop writes out a ticket 
for an unleashed dog. That’s all, 
because there’s no law against
running through sprinklers 
on graveyard shift
when you’re white.


Nov 22

My brother with dementia 
outside a bakery arrested for peeing 
into a newspaper rack and forgetting 
to refasten his pants which brings him 
not to a police station but a hospital 
where I find him and take custody. 
The nurse asks the standard questions 
to see if he is oriented such as “Who is president?” 
“That asshole.”
“Which asshole?”
“Um—the ugly one.”
“What year is it today?”
[Shrug.] 
“What month is it?”
[Shrug.] 
“Do you know what the day is?”
“No, what?”
“Today is Thursday, November twenty-second.”
“They shot him.” 
“Who?”
“The president. They shot him.”
The young nurse is puzzled. 
“Kennedy,” I explain. 
“Well,” says the nurse, “do you know where you are?”
“Yes,” my brother says, “I’m in the fucking hospital.”
The nurse smiles. “Okay, you may go.”
“They shot him,” he mutters all the way home.
Because some things you never forget.


Shirtless Dusty 

I first meet Dusty on a beach 
beside the Chesapeake Bay 
in this photo where 
he’s dating my cousin Liz 
who suddenly grew a body. 
Dusty’s the one with chest hair. 
I’m the kid with glasses.

In this photo Vietnam shirtless again 
he’s on a river boat patrolling 
writes Stay in college. 
Stay the hell out of here. 

Next here’s him shirtless and Liz shirted 
in the house he restored on steelworker’s pay 
building war machines that float. 
Bankers stole his pension 
when they looted Bethlehem Steel. 
Combat memories haunt
while Dusty raises goats
until the city shuts him down.

Here’s Dusty an old man on Facebook
with his face peeling off, flesh
flaking under cammo fatigues
posting paranoid gun-rights crap
so I unfriend him.

Here at the Chesapeake Bay again
Liz is dumping Dusty’s ashes 
from a borrowed sailboat.
Agent Orange kills him 
though the doctors won’t admit it. 
His life like firing a rifle at the sky: 
a disturbance the air closes over. 
We open our shirts, 
we feel the bullet strike. 
Here. Right here.


The Opposite of Hate

Singin’ in the shower.  
Peanut butter. Daisies. 
Weathered barn boards
are the opposite of hate.

Playmate. Roller skate. 
Rhyme is the opposite of hate.

Balloons. The only thing 
you should ever blow up 
is a balloon.

Skinny-dips. 
Swimmin’ hole, hot afternoon.
Buck naked is the opposite of hate.


Steak, Well-Done

Selected on the hoof
after peering in the eye, 
how Uncle Merrel shops for beef. 
Walked by rope to an Amish man 
who butchers, loads 500 pounds of meat 
to Merrel’s 2-wheel trailer pulled by 
smoke-popping bare-bones tractor 
to a freezer in town.

A few cuts Merrel brings home and cooks 
special for us, his west coast nephew and family 
who followed the Oregon Trail backwards
for dinner which is mid-afternoon 
on farm country time in Missouri. 
Back home we don’t eat meat
but we don’t mention.

Uncle Merrel is a patched old machine 
pushed too hard for too long, 
threads of flesh bound in scraps of denim. 
Sweats red oil. Shakes when idle, 
then at top speed he groans and grunts.

Steak, says Merrel, oughtn’t be bloody inside, 
you want it cooked but if you order well-done 
in a restaurant they get mad at you 
and flame it too fast so it’s burned outside 
but still bloody in the middle. 

We appreciate we didn’t have to evaluate 
this steak in the eye. Uncle Merrel 
cooks with time, with sizzling fat. 
Well-done, still juicy but not bloody. 
The farm way. And golly it’s good.


The Stranger in the Car Behind

A mighty gust of fog rips 3 bicycles 
from the rope-and-bungee web atop my van
to fly past the rear window as my gut drops
in a center lane on the Golden Gate Bridge 
so I stop. God help me, I stop. 

Jump out. Run back 
to where the stranger in the car behind 
blessedly not a tailgater braked in time 
now has put on his blinkers and hustled forward 
as together under steel cables 
while wet wind howls with diesel smoke 
as cars roar by on both sides 
while an oil tanker glides beneath
he says not one word in the quick desperation
helps gather 3 bent bicycles from the roadway 
which I stuff on top of 3 scared children 
as the stranger to whom I said not one word 
not a thank you not a moment for it
runs back to his car in the mad din of about 30 seconds 
while I hop into the driver’s seat 
and stomp on the gas and — gone. 

And the stranger whoever 
never asked to be a hero 
pumped adrenaline scrambled amid traffic 
where no trucks or busses plowed into us 
survived and drove on and — gone. 

So to you right here right now reading this poem — 
Yes, you —
To all you strangers in all the cars behind 
let me say in advance: 
Thank you. 
Bless you for what without hesitation you will do.
Thank you so much.


Friday, July 17, 2026

Combatting Cancer with Kindness

Elaine Sorrentino

 

 
Elaine Sorrentino at Pink Lemonade presentation

By Elaine Sorrentino

 I was diagnosed with breast cancer in October 2006 and again in October 2019.  I've started dreading the month of October.  I've written a number of poems to help me process what it's been like navigating cancer. Fellow breast cancer survivor/poet Dzvinia Orlowsky and I collaborated to create a program called Pink LemonAid which presents breast cancer-inspired art, mostly poetry and prose, but music as well.  It was ironic that two days after the first presentation of this program, I was diagnosed again.  October of 2026, we'll present our next Pink LemonAid.  Proceeds from books sold at the event will help women needing transportation to chemo.  We've both been there and have experienced kindness from the most surprising places.

These poems show my journey:


Who Doesn’t Love Positive?

They said
be more positive
you’ll be happier
you’ll live longer
you’ll have more friends
you’ll be more successful, confident
you’ll lower your risk of disease
you’ll age slower, more gracefully
you’ll reduce your chances of depression
you’ll inspire others to be more positive.
So, I embraced positive,
became the epitome of positive,
simply oozed positive¬−
as did my cancer biopsy,
my world altered forever by positive,
betraying me the moment
positive became something…different.
This new positive produced 
a scarred and dimpled gland
burnt, useless, wire-like veins
two different cup sizes
unwanted tattoos in intimate places
rejected “organ donor” status
blood now worthless to anyone.
Yet, beyond physical changes,
what made my upbeat heart weep
were glances tinged with unwelcome pity,
and yearly reminders that I could be positive again.


Searching for a Lifeboat 
            during treatment
 
I am the wonder ball
the hot potato 
the short straw
 
as desirable 
as a bruised apple
in a fruit basket,
 
no one volunteers to steer
the ship of my wellbeing,
instead, the medical crew
 
references paragraph three
where it says this is the least 
to which they're obligated;
 
no longer their concern
I am passed on to the next port,
island-hopping for health care.


Buzz off the Buzz Off

Put the razor down.
Ask yourself
Why am I doing this?
If your undertaking is for me,
don’t waste your time;
your gesture,
intended as supportive,
only serves to hurl
me into melancholy
You are my mirror,
my support, my rock,
and your follicle-free
scalp reminds me
of my grueling struggle.
Keep your full head
of hair, and remind me
instead, of my reward
at the end of my journey.
First published in The Writer's Newsletter, 


Alternate Hair
           
It didn’t matter who knew.
I wasn’t attempting to hide my truth.
 
This bouncy, brown, easy-to-wear mop
preserved my freedom to buy groceries
 
without cruel whispers
look at the lady in the cereal aisle

her dome’s smooth as honeydew in produce,
it allowed me it to cling to a smidgeon
 
of normalcy in a stretch
that felt like daily ransacking;
 
scalp enhancement staved off
pity, questioning stares; this patient
 
embraced dinner out with her sweetie,
tossed aside needles and scalpels
 
to step back into the world of the living,
savoring a moment of sweet vanity.

First published in Verse Virtual

 

Uninvited

Cancer comes knocking
once every thirteen years,
and I say no, thank you,
but it heaves itself
into my body anyway
refusing to leave
until I escort it to the exit,
thrust it into the dark,
and nail that door shut.
Don’t come scratching again.


Eye for an Eye
            post radiation
 
After I silently counted
the last “six Mississippi”
under the linear accelerator,
lowered my arms
and rolled off the table,
the technician tossed
a fistful of confetti in the air
and handed me a certificate
of completion.
 
In private that night
after unwrapping
that tender breast
itchy and inflamed,
soothing it with salve,
I folded the beige parchment
once, then once again,
knelt before the fireplace,
threw open the flue,
and struck a match.

First published on The Keeping Room, Minerva Rising


Two Views

cancer
maintenance
drugs
stole
my eyebrows,
thinned
my hair,
weakened
my bones
cancer
maintenance
drugs
lengthened
my life,
restored
my hope,
permitted
more time
to nag
my kids

 

Friday, July 10, 2026

Growing up in Sheffield, England

Lynn White

 
Lynn White as a child

By Lynn White

The first home I remember is the one described in 'Bath Time'. It was in Sheffield inner city, a stone's throw from the house my mother had grown up in and lived in until the death of her mother in 1941. The photo is taken opposite my home and you can clearly see the ringlets described in 'Sore Fingers'. Just before my 6th birthday when we moved to a Council House on the northern outskirts. This was to be my home until I left to go to college and my parents home until their deaths. It was a 10 minute walk from my auntie's where my mother had lived after the death of her mother. Opposite was the rough ground where 'Red Car' is located. Further down the wild area met the 'bottom road' which divides the houses from the countryside. Coming up the other side the street is lower and the wild area forms the 'cliffs' of 'Running Wild'. My school, till the age of 11, was 10 minutes in another direction. I would have been 8 when we had the Student Teacher described in 'Such Nonsense'. Another auntie lived in a village on the south side of Sheffield and the setting for ' School Shoes' is there.


Bath Time

The bath used to hang on the wall
in the scullery.
Not our scullery.
His scullery.
We borrowed it from Mr Neil
who rented us the rooms
at the front of his house.
One down, one up.
My mother would knock on his door
and he would lift it down for her.
But she had to carry it to our 
living room.
It was heavy,
made of zinc she said.
It took a lot of water
which had to be carried from the outside
tap and then heated on our gas ring.
It took a lot of hot water
and had to be filled 
and emptied
with a jug.
Sometimes it was just too much work
for her
and she washed me in a bowl
as I sat on her fat lap.
It was snuggly.
I preferred it 
that way
really.

First published in Visual Verse


Sore Fingers

At night my long hair was wrapped
in rags - pristine strips
of thick white cloth.
Sore fingers, my mother called them.
My unruly curls bandaged
into six stiff sore fingers,
to be unravelled in the morning
to reveal
shiny ringlets
ready
to be tied in bunches
with broad, bright, bias cut ribbons.

I wanted plaits.
All the heroines
in my childhood 
books had plaits
I dreamt about plaits
fantasised about plaits.
No more sore fingers.
I wanted plaits.

Sometimes I untied the ringlets,
to my mothers displeasure,
and made untidy, unsuccessful plaits.
Plaits would ruin my hair, my mother said.
Would spoil it’s natural curl,
destroy it
in some
way
never
specified.

I didn’t care.
I hated ringlets.
I hated sore fingers.
I wanted plaits.

First published in Silver Birch Press


Red Car

The abandoned car stood on the waste ground,
rusting away, doors hanging off, leather seats ripped.
The children played there on warm summer days
but I was not allowed.
The place was dangerous
and the children were rough.
It was the first time I had ever been in a car.
I sat behind the wheel to drive it making
engine noises like a bus.
It was a black car.
In those days all cars were black.
Any colour you like, so long as it’s black.
I thought that a red one would have been nicer.

First published in Blognostics


Running Wild

She had been one of my mothers best friends.
Her daughter was in my class at school
and one of my best friends.
But I was rarely allowed to call on her
to play out.

She lived in a street opposite ‘the cliffs’,
which when I’ve been there since,
weren’t cliffs at all,
just a steep area
overgrown
with bushes 
and small tees
with an overgrown field above.

It was great fun scrambling around there.
“Dangerous”, my mother said,
“and those children
are allowed
to run wild”!

But it was great fun while it lasted!

First published in Mocking Owl Roost


School Shoes

I loved the pond near my auntie’s.
Just a short walk from the village.
I could get right up close 
and peer into the water.
That was how I saw the frogs.

They were not easy to catch but
I managed it eventually, one at a time.
I kissed each carefully
to make sure they were real frogs,
didn’t want one of those prince things.

Then I put them in my shoe and placed
my other shoe on top
so that they couldn’t jump out.
I walked back barefoot 
over the rough ground
and the village street.

I discovered that my mother and auntie
were afraid of frogs.
Perhaps they would have preferred princes.
They didn’t like the barefoot walk either.
My dirty feet would show them up, 
they said.

And worse! They were my school shoes,
which were also my only shoes
and now they were smelly with pond water
and frogs!
But my uncle was cool
said they were good for the garden.
So I watched them leapfrog through his garden.

I hoped they’d be happy there.
He told me they were,
but I never saw them again.

First published in School Shoes, Four Feathers Press


Such Nonsense

We had a new teacher,
a student still in college.
He read us a long poem. 
I listened carefully trying
to make sense of it.
It was funny.
Was it meant to be funny?
or was the laughter of derision,
to what sounded like nonsense.
Laughter seemed allowed
and that was unusual.
School was not a place for fun.
Well, maybe it was nonsense
but I loved the imagery
and the colours of the words.
I asked if 'pea green' was
the colour of mushy peas
from the chip shop,
or was it those in pods
fresh from the garden.
Nothing was clear,
but it was fun.

First published in Medusa’s Kitchen 



Friday, July 3, 2026

Book of the Week

 Orinoco Plains (dancing girl press, 2025) by Lorraine Caputo

 

 
Comments By Editor Sharon Waller Knutson

In Orinoco Plains, Lorraine Caputo, the traveling troubadour, takes
readers on a magical musical tour through the Llanos of Venezuela in this entertaining and exhilarating poetry collection.

About the book:

With her latest collection of travel poetry, Orinoco Plains, Lorraine Caputo invites you on a journey through the Llanos of Venezuela. This region, traversed by the mighty Orinoco River, teems with wildlife. Roseate spoonbills and black ibis, caimans and iguanas, anteaters and capybara are just some of the fauna we shall see. And we will witness the lives of the people of these plains, celebrating feast days, dancing, playing music, going to school, traveling – and those displaced from their ancestral homes. Come and enjoy the adventure!

About the author:

Wandering troubadour Lorraine Caputo is a documentary poet, translator and travel writer. Her works appear internationally in over 500 journals and 24 collections of poetry – including In the Jaguar Valley (dancing girl press, 2023) and Santa Marta Ayres (Origami Poems Project, 2024). She also authors travel narratives, articles and guidebooks. She is a Parliamentary Poet Laureate of Canada honoree (2011), and multiple Best of the Net and Pushcart Prize nominee. Caputo has done literary readings from Alaska to the Patagonia. She journeys through Latin America with her faithful knapsack Rocinante, listening to the voices of the pueblos and Earth. 

Some of my favorite poems:

LLANO VIGNETTES

I. 
Black-crested, golden-throated large bird sits on a fence post. 
Verdant pasture stretches to forest. 
White egrets stroll amidst white cattle grazing.

II.
Three men stand mid-river. 
Muddied waters hasten past muscular legs. 
The middle hombre reaches to cast a net.

III.
White sun shielded by humid clouds. The water-logged land 
is flat, flat to any horizon & dusted by white long-plumage flowers. 
A flock of garzas swoops over these llanos.

IV.
Three men ride atop a load of sugar cane. The truck-wind whips 
the dried blades & their shirts.

V.
Early afternoon, egrets fill the small-leaf trees edging a plowed field. 
The come-again rainy season swells reborn swamps of lavender-spiked 
flowers & lazy streams.

Perched atop un árbol, a hawk-sized bird, chestnut-colored body, 
cream-colored head.

VI.
The two-lane highway slices across the thick landscape of thick woods, 
thick pastures thick with zebu. Joropos play on the radio, we dance 
around potholes.Trees & lakes thick with waterfowl – herons, scarlet ibis, storks.

VII.
Ay, how can I describe the beauty of this land when I 
don’t know the names of the birds, the trees, the plants …?

VIII.
Beings quickly breach the dirty-mirror surface or duck beneath concentric 
circles forming. In one lakelet, a babo, snout in air, slowly swims
towards a white heron.

IX.
But I can recognize the trees of civilization: mango, palm, banana, flamboyán …
& in the mist is a duo, a trio of houses

X.
Every now & again, in some stretch of the middle of this nowhere, 
we come across a blue truck, a bus or yet another truck broken down.

XI.
Dragonflies dance in the now-mid-afternoon, across the road, around us. 
A breeze ripples the water & grasses. The countless lagunillas with a solitary 
or more babos. On one small island sun three, mouths open. 

& this llano soil, bone-white, blood-red, engraved by these herds of cattle, 
these flocks of birds & iguanas.



MANGO SUNSET

Mango sunset . . . . . full
moon arising high over
the llanos . . . . . balance
 
Mounting clouds veil la
Luna. The air vibrates with
the calls of toads &
cicada. Lightning pulses
profound indigo heavens.
 
Suddenly this world
stills. & then the breeze, stirring
the lance-shaped leaves of
those trees that tower like the
thunderheads. Heavy fruit sway.
 
& steadily the
rains slide throughout the night ‘til
pale mango sunrise.


SONATA FOR A LATE AFTERNOON

Narrow old-city streets lined with rainbow
houses. In the rooms of one, lilac-
colored, youth learn music. Boys tune their
guitars. A boy sits in the window
looking out  to the cobbled street. Chords
of cuatro, bars of French horn, sweet
voices drift through the sultry late day.

GLIMPSING YOUR LIVES

In this port town built by foreign mining companies, not too far from the US-ranch-style former housing of their executives, behind strip mall stores displaying hundreds of styles of shoes, the latest fashions & electronics.

I glimpse your lives
as we speed by

In that treeless lot several dozen indigenous families live in shelters made of sapling posts, perhaps with walls of cloth, plastic sacks, cardboard, with roofs of tied-down plastic sheeting billowing in the wind of deep-grey clouds, with hard-packed dirt floors, with several net hammocks hanging, children resting, women breastfeeding, with clotheslines, stacks of firewood between each home, dark-skinned chamos playing, dogs & cats roaming, a man scraping a pot clean before putting it on the cook fire.

I glimpse your lives...

Out on the medians of broad boulevards, 1970s cars, SUVs racing rapidly past, your young daughters, young mothers, your abuelitas walk, hands outstretched for a few bolívares, fresh-flowered dresses brightening the grey day, the black pavement, the greyed air, thick feet planted into the rust-blood earth.

...as we speed by

You were driven many years ago from your delta lands dried up by the rerouting of the Orinoco to open shipping channels—Ay, where else could you go, except here, homeport of those mineral companies?

I glimpse...

The wind grows harsher, scurrying garbage around the fenced-off lot next door, a flash of thin white lightning, sharp thunder as dusk arrives, your sons rushing home.

...your lives

& when these daily rains come...

...as we...

& when the night comes...

...speed by


SONG TO THE ORINOCO
    —multi-voice, sung chorus

Ever since I was a child I
have dreamed of mounting you &
sailing far away to the sea
on the slow-flowing waters

Sail away
    Sail away
        Sail away

A muddy snake serpentining
almost fifteen-hundred miles
past high mountains, through dense jungles
& across the llano plains

Sail away
    Sail away
        Sail away

I want to reach down & gather
your many bouldered islands
into a garland ‘round my neck
bronzéd by your humid sun

Sail away
    Sail away
        Sail away

I want to drape myself with your
golden dry-season beaches
& with those verdant-fringed shores
of your many months of rain

Sail away
    Sail away
        Sail away

We’ll watch caimans & piranhas,
the manatees swimming past
jaguars come to the water’s edge
& the birds flying o’erhead

Sail away
    Sail away
        Sail away

Let us float the wide waters past
Caicara, through the narrows
of Angostura, down downstream
to dark River Caroní

Sail away
    Sail away
        Sail away

Then into the many channels
lacing through fertile delta
lands until we reach the calm blue-
silver Caribbean Sea

Sail away
    Sail away
        Sail away

Ever since I was a child I
have dreamed of sailing with you
but the boats have long since ceased &
I will still have to dream of …

Sailing away
    Sailing away
        Sailing away

To Buy the Book:

https://dulcetshop.myshopify.com/products/orinoco-plains-lorraine-caputo


Book of the Week

 My Father’s Sky (Kelsay Books 2026) by Rose Mary Boehm   Comments by Editor Sharon Waller Knutson Colorful as the cover, clever and well cr...