Friday, August 21, 2026

Black Belt in Feminism Thanks to my Parents

 Alarie Tennille

 

 
WAVE Alice Marie Adams, Alarie’s mother

by Alarie Tennille

Part 1: Feminism and Learning to Stand Up for Myself

I’m a UVA pioneer coed with a BA in English, a Phi Beta Kappa key,
and a black belt in feminism.   

My older brother went to the University of Virginia. I was already in love 
with beautiful places and historic buildings, since Virginia was brimming 
with them. (In case you didn’t know, the university was founded by Thomas 
Jefferson.) I was thirteen when my parents and took me up to UVA to see my 
brother’s dorm room and the lovely Blue Ridge Mountains. It was love at first 
sight for me, but Geoff regularly reminded me, “You can’t come here. 
Only men are allowed.” 

When he graduated in 1969, he wrote to let me know that I could come there
after all. The school took the case to court, asserting that a state institution 
shouldn’t discriminate against the daughters of Virginia who didn’t have the same
privileges allowed to their sons. The school took our case to court. I had no idea 
what trials waited for me. My mail from UVA was always addressed to 
Mr. Alarie Tennille. 

Two years ago, my husband and I went back there to celebrate our 50th college 
reunion, and I was invited to share some of my poems about the experiences 
of being a first coed. Several of my poems appeared in the book: Here to Stay: 
The Story of the Class of Women Who Conducted the University of Virginia. 
I was honored that our book author, Gail Burrell Gerry featured me both 
in the book and in my brief reading during our 50th year anniversary.


She Doesn’t Have to Call Me a Bitch
 
 Everything about her 
shouts it – the red face, bared 
teeth, the way she charges 
like a shrieking hyena. Ignoring 
the older man beside me, she singles 
me out for the kill.  “YOU 
are destroying the family!” 
she screams. Hoisting a sweaty 
baby like a trophy, she sputters, 
“MY daughter is going to be a LADY!”
 
I sit at an outdoor table, spread 
with N.O.W. pamphlets and petitions 
for the Equal Rights Amendment.
I look her in the eye, say nothing, 
become a wall that her words
bounce off. She turns on her heel,
huffs away.
 
The silence sizzles.
 
First published in Gimme Your Lunch Money: Heartland Poets 
Speak out against Bullies

 
Leaving the Coast for a Kansas City Job
 
 Over 1,000 miles away – 
would it be worth the worry, the expense?
Our lists of pros and cons proved
useless ¬– weighing the cotton candy
of dreams against brick and mortar:
our first house, friends, family, 
two paychecks. Unknowns can topple
any column of logic.
 
He took the job. I tried to sell the house. 
Mama died. Daddy got cancer. Six months
later, in February, I left camellias 
and daffodils and flew back to winter. 
At least we had each other. Determined 
to like our new home, we explored 
neighborhoods, shopping, and museums. 
The zoo was fun until I smelled 
salt water at the sea lion exhibit.
I cried.

First published in Waking on the Moon

 

 
Paratrooper Sergeant Paul Tennille, Alarie’s father

Part II: Finding a New Home and Losing my Parents

My future husband and I had a hard time getting decent jobs in the wake of a deep depression.
We moved away from our beloved college town to Tidewater, Virginia to get work and find a house we could afford. I worked as a technical editor (private office overlooking the water!) and Chris taught middle school. We found a house.  Chris decided to accept a job with Hallmark
in Kansas city, and both my parents soon died. My mother had just turned 59, but had cardiac failure. My father had lung cancer and lasted just more than a year longer. I didn’t have any friends (yet) in my new home.

When I did find new friends on the job, an especially dear friend said I should write about my
eccentric parents’ entertaining lives. I decided to do that, not in prose, but in poetry.
My parents had lived through difficult childhoods during the Depression, then joining the war
effort. Mama was a WAVE, Daddy a paratrooper in the 82nd Airborne. I loved retelling their
stories.

Wild Alice
 
Black and white photos
can’t hide the colorful life 
you lived before me. Crimson
lips whispering smoke,
eyes laughing in ways
they’ve forgotten. Night
clubs, dance floors, “When
They Begin the Beguine.”
Dress rehearsals for a show
that didn’t go on.
 
Three fiancés,
just one trip to the altar—
that should have been 
a sign you weren’t cut
out for a supporting role.
But the backdrop 
of war crashed,
leaving a world craving
domestic comedy.
 
You could still command
center stage: holding placards 
in parades, dancing hula
at conventions, promising
to tell the whole truth
in courtroom dramas.
But red taffeta and shimmy
dresses faded to the back
of your closet.
 
Encore! Encore!
Weekdays at 5:00 p.m.
I held a ticket to your late 
matinee. You swept through 
the door, catching me up 
in a waltz or a jitterbug.
“Marry a man who can 
dance,” you’d say. Then,
swirling into the kitchen,
just us girls, you’d take me 
behind the scenes, telling me
the stories that made me
wish I’d been born sooner.
  
First published in Remembering Faces,
chapbook anthology from Palettes and Quills


Daddy and the MPs
 
World War II
 
 Daddy was a flashy dresser –
added a tartan tie and derby
to his drab uniform. 
 
“You’re in trouble this time,”
said Daddy’s buddy Dale 
as the MPs approached. 
Sure enough they got stopped.
 
“Button your pocket,” 
they told Dale before walking on – 
just a nod to Daddy. 
Cigarettes, chocolates, booze,
favorite rations traded with the Brits –
whatever could make war
a little less hell, Master Sergeant
Tennille provided.
 
I laughed every time I heard it.
A paratrooper in the 82nd Airborne
didn’t have many stories 
he could tell his little girl.

 
The same office friend who urged me to write about my parents
saved me from years of nightmares by calling forth the common sense
of this poem.


Switching on the Light
  
I wake in the dark. 
A man stands silhouetted
in the doorway. I try to scream,
find my voice sleep-paralyzed
like my legs.
 
Shhh, it’s only a dream,
whispers my husband, pulling
me close. My moan fades.
My adrenalin soars.
 
I wake in the dark. 
A man stands silhouetted
in the doorway. Repeat,
repeat. Over twenty years
of reruns. 
 
I blame the serial rapist
who haunted college nights.
The one time my roommate
was gone, he climbed 
through the window next door.
How can that other woman
ever sleep again?
 
At work the next day, I explain
to a friend why I’m dragging.
This man in the dream
never speaks or comes
toward you? she asks.
 
Maybe he’s not an intruder.
When you were little,
didn’t your daddy stand
at the door like that to check
on you?
 
First published in Dying Dahlia
The voice of wisdom in this poem was dear Sharon Valleau.

Friday, August 14, 2026

My Struggle with Bi-Polar Disorder

 Mary McCarthy

 


Drawing by Mary McCarthy

By Mary McCarthy

The poems here came out of a long struggle with bipolar disorder that almost took everything I had to survive. In the darkest time I wrote daily, the words becoming a lifeline, a ladder, something that might pull me up and out of the abyss I had fallen into. The drawing of the girl sitting at the cliff's edge, with all the ruins behind her, was the way it felt---no hope, no where to go but down. I was fortunate enough to have the support and determination, the resources, medical, personal, family, and creative, to survive the worst of it and build back my life. In my book I speak not only for and about myself but for and about so many others who suffer without the words that helped me understand and work my way through the pain and confusion of those years.

Outsiders
 
Not everyone can suffer
politely.
Some pain is clumsy
 
ugly as the troll
squatting in cold mud
under a lovely bridge.
 
I can’t blame you
for looking up,
some frogs just can’t be
 
kissed to transformation.
Like tricks that fail to convince
they embarrass
 
by staying what they are,
sad reminders
of how very little
 
magic you command.
Some suffering just makes you itch,
declaring itself like a bad rash,
 
irritating until it does
the only thing you can forgive
and fades away.
 
Not everyone gets over it
beats the odds
has no regrets-
 
some of us just
howl in the wasteland
outside the reach of grace.
 
 Unfit                                                            
(after a Hausa Bird Headdress)

She was an acre of tinder waiting for the match, would set her hair on fire and slap it out fast, a dramatic dare and rescue the wrong side of sane.
Followed by the smell of burning she marked everything she touched with fingerprints of ash.

She walked the alleys for hours. Those years most drinks came in glass bottles and every one she found she swung Hard and threw against a wall to hear it smash.

No one saw or stopped her and she left behind a trail of broken glass.
Trees spoke to her the way they speak to the deaf, in gestures and with the shapes of shadow and light splintering the air.

She knew each one she passed by its secret name, the path sap took from root to leaf, the way fog rested like a scarf around its shoulders, the way each day was a slow step in its long dance, the way they forgave her with new greens after each long winter’s freeze.
She had no guardian angel but a great bird, a shadow falling like an owl, silent and dark, swift and accurate as any raptor,  claw and beak and the hush of air coming down clean as a knife.

Even with that fierce eye, she was more crow than owl or eagle,  no diva but a canny scavenger, polishing her darks in the sun, voice a raw caw, neither the gull’s bold squack nor the long soft grief of the dove, her voice unfit for words in any language but the one she invented to speak to herself.

Arms spread like wings she wore her fury like a crown, a totem, a warning, a bird whose silent scream could turn men's bones to sand, leaving her there at last a Queen, triumphant and alone

Burn
 
When the gate drops
when the storm takes you
so high and far
all your ordinary days
shrink to insignificance
while the stars spin out
of their orbits
and you break free of gravity
rising like a new sun
spinning in the glory
of your own
inexhaustible fires
your heat expanding
until your farthest atoms
brush up against
the rim of the universe
where time and matter
took their first steps
out of the great nothing-
 
and you can only hold on
to your wild exaltation
even though this isn’t
your first time
and like the bull rider
you know the end will find you
thrown to the dust
torn flesh and broken bones
hard payment for that brief
ecstasy
 
Medication
 
Clears my head
damping me down until
all my noisy oppositions
go quiet and meek
and I grow calm
and sober as a gray
November day.
Good, you may think,
now we’ll really
get things done.
 
But I can’t help
remembering
what it was like
before my chemical
reformation
when every day
I wore carnival clothes
and thought
impossible things
going fast fast fast
as a bird’s heartbeat,
as the quiver of an insect’s
wing, as a rocket itching
to take off, as an engine
of desire, ready to win

Bad Medicine
 
What you need
they said
is a good hard knock
upside the head
a clean break
it will leave you
with a lot less
to complain about
 
Afterward I kept still
as a white mouse
on a live wire grid
embarrassed
by rooms where every
thing waited
blank and innocent
knocked clean of meaning
 
And they were right
with so little left
there was not much
to complain of
 
I kept close
in the naked rooms
folding what rags
of memory I had
into smaller and smaller
packages
 
hoping if I hid them
well enough
I could keep them
after the white light
burned out everything
behind my eyelids
and they would be
the only colors left
in a world flat as a negative
where I had no complaints
 
 
Enthralled

  for my sister, who always knew me, and never let me go                  
                                                           
I found myself lost                
black, mechanical,                 
an alien left behind.               
I had razor blades
instead of bones
beneath my skin.
I spoke in colors
words like sequins
breaking light
into smaller and smaller
fractions.
I had to sort you out
between the voices
of the trees, the grass
shouting and singing
sharp and dangerous
as fields of broken glass.
I came naked
feathered and spurred
my tongue baroque
unregulated,
my arms full
of awkward gifts:
apologies like small
black holes
swallowing worlds
blind spots white
as lepers
running fevers and other
sudden lightnings
hard to find room for
in any reasonable space.
But you held fast
through fire season,
keeping track
while I burned and raved,
a speed demon
racing through a thousand
changing shapes.
You held strong
laying claim
against enchantment.
You never blinked,
never saw
any face but mine,
rock steady,
waiting for me
underneath the shadow maze
of strange mutations
where I found myself
lost .  
 
The poems are from my book, How to Become Invisible (Kelsay Books) available on amazon, from Kelsay Books, and from me.

Friday, August 7, 2026

Book of the Week

 My Father’s Sky (Kelsay Books 2026) by Rose Mary Boehm

 

Comments by Editor Sharon Waller Knutson

Colorful as the cover, clever and well crafted, Rose Mary Boehm’s new poetry collection, “My Father’s Sky,” take us on a wild ride through turbulent skies from her childhood in Germany during World War II to Peru where she now lives at the age of 88. In Rose Mary’s signature storyteller style, she shares stories that made me feel like I was there living her life.  I was riveted and read it from cover to cover and didn’t want it to end. The 109-page book contains 60 poems and is divided into four sections: My Father’s Sky, September, Tumbleweed and The Wine Colored Seas.

Rose Mary dedicates the book to “my amazing granddaughters: Blossom and Daphne, so they can read stories I might not have the time to tell, as well as to my dear Lima friend Barbara von Merck who lived in some of my worlds.

The cover is illustrated by Kiki Suarez, a German born artist who found her niche of life in the southeast of Mexico.

I’ll let the praise from two members of the storyteller community and poems tell the story.

Joan Leotta, Story Performer and Poet writes:

My Father’s Sky is a wonderful collection of small moments and reflections on deep questions begins with a deep dive into the Germany of her childhood. In her early years, the personal was often beaten about, roiled, by the political chaos and cruelty of World War II and the postwar period in her homeland. With an unerring pen, Rose consistently finds the intersection of personal and the world around it to create a place for our reflection. She tells us at the beginning, “I am a gypsy in time and place. Wherever I go I collect stories, moments, injustices, and joy. Every time the box is filling up, it all wants out to become poems.”

Alan Walowitz, author, The Story of the Milkman and Other Poems writes:

“My Father’s Sky,” the title poem in Rose Mary Boehm’s latest collection, reveals how a skilled poet reaches into her distant memories, transforms them into something new, and then — with joy and passion — passes them to us. The poet’s magic! The opening poem tells us much about the distance we are about to travel, a journey through displacement, discovery, and re-invention which, though challenging, reveals what a poet of honesty, grace, and maturity is capable of. How lucky we are to be in her company! Toward the end, Boehm asks, “Where your world ends, does mine begin?” No matter where she has been — Germany, Holland, London, Lima now, and so many other stops — she is a seeker of connection. Here, through her poems, she finds it with us, despite her own knowledge that the deepest connection, the one we all seek, might not lie easily within our reach. Fortunately, in My Father’s Sky, Boehm makes the unlikely seem quite possible.

Some of my favorite poems:

My Father’s Sky
 
My hand disappeared in his, our boots
swished on the snow, already hardened
by many steps. That is the Milky Way, he said,
and pointed at a giant river of twinkling lights
that looked nothing like milk.
Oh, and over there, that ‘W’ is Cassiopeia.
I knew the Big Dipper, of course,
and Father let me find Orion. A belt woven
from starlight. Draw a line through the belt
towards the left, he said. See that bright star?
That’s Sirius. The Dog Star.
No, no dogs on Sirius.
It’s part of the ‘Canis Major’ constellation,
that means ‘Greater Dog’ in Latin.
How disappointing. I had imagined all dogs coming
to us from Sirius, beings from space.
The sky began to fall into some kind of order,
a glittering glory of twinkles and tinkles
I would remember forever, and my small, cold hand
being warmed in my father’s big one.
 
Big cities let me forget my father’s sky. Sometimes
even the moon was hidden by buildings that seemed
to loom dark, towering, and unforgiving.
The city lights made me ignore the grandeur
of a world beyond, the mysteries of space.
There always was, of course, the latest on the Internet,
TV, and assorted means of communication.
A little machine on Mars sent pictures from a desert
that once held some form of life perhaps. Bradbury’s
‘Martian Chronicles’ had awakened a longing, Heinlein’s
‘Red Planet’ had convinced me of the reality of my dreams.
 
One day, after I had held my grandchildren’s hands
and showed them Orion, Cassiopeia, the Big Dipper
and Sirius – the only ones I recognised—
we found home on our small piece of earth
in the middle of nowhere on the Castilian plateau.
A warm night caressed me as I sat on the pretend
plastic boulder that looked like a stone (something
dishonest somebody had thought up to house
the gear that made our pool work);
I heard the bulls low across
the quiet night and dreaming fields,
from the pond came the occasional splash.
A nightbird called its mate, the walnut tree
bombarded the wooden bench below it,
and I looked for Orion towards the horizon,
setting my eyes to ‘far away’ to find the Milky Way,
looking behind me to the left for Cassiopeia, and whispered
‘Dogs on Sirius’ to my father who had—softer than any feather—
taken my warm hand in his cold one.


My Mother the Alchemist
 
I’d watch her transform stinging nettles into spinach soup after we picked them carefully, trying to touch only the underside of the leaves. We had no gloves. Dandelion shoots became salad with a bit of vinegar and salt. She magically metamorphosed a box of our silver flatware into a hundredweight of potatoes, her last damask tablecloth somehow converted itself into another hundredweight of carrots.
 
She brought water from the pump in two heavy buckets up to the second floor on stone stairs. That became soup, drinking water, and a bird bath for my budgie.
 
After picking up the left-over stalks from fields the farmers had finished harvesting, mother dried the wheat and ground it in the coffee mill for a chunky morning porridge.
 
One day’s worth of sewing underpants for the Russian army mutated miraculously into bread and sometimes butter.
 
And at the end of the day, mother made the best magic of all: with a book on her lap, by the light of a glowing fire in the wood stove, she transformed a different hunger into possibilities.
  
Sentries and markers
The hinterland of dreams
Deliverance


Bad Women
 
My aunt was fur and long red fingernails,
she was Arpège and hats with veils,
worn at an angle.
She was dare and devil,
bewitching and hot of temper.
Oh, the temper.
There was a buzz about her.
When she walked (she never tottered)
on heels that reached into the sky,
there was a swishing sound of silk and taffeta
rubbing and inviting lewd thoughts.
I read the thoughts in men’s eyes
when they watched her pass.
She was earrings that pulled the earlobes
down with their weight—
glass, not diamonds.
It was said she had lovers.
There were other aunts who had husbands.
She was everything I wanted to be
when I grew up, and I was prepared to pay
the price of nasty whispers behind
gloved hands, raised eyebrows, jealous looks
that could kill.
I’d watch her lift up her chin, raise
her long cigarette holder, and smile.


Flying to New York
 
We are doing a left.
The Hudson Bay disappears under
the rising wing,
the sea comes towards us.
 
I remembered Miss Geography.
An elderly ship in which we safely sailed
in a no-nonsense way.
I remembered the wooden stick
in her bony hand, veins thick
under her skin, poking the map
of North America.
“Hudson Bay!” she stentored sternly,
and repeated it so it would penetrate
our thick skulls. “Hudson Bay!”
 
And when we approached Canada,
before making the turn,
it all looked exactly as it did then,
in that dingy school room,
on that much used geography map
hanging from a rusty hook in the wall.
It was for rolling up.
As Miss Geography became more relaxed,
one leg went up onto an unoccupied bench,
and long, beige, woolen bloomers
became visible under a medium long,
beige skirt.
 
There were only old teachers left.
It was 1950. The young ones
had all been killed at the front.
The new crop hadn’t been harvested yet.
Then, one day they trickled in.
First just a few.
Oh. My. God. There was Miss French.
She can’t have been older than 25.
She wore fashionable dresses,
and lipstick!
We all loved her to bits and wanted
to be like her when we grew up!
She was soon followed by Mr History.
We swooned, and my friend Doris
passed her history exam with
a very revealing wrap-around blouse
as well as two impressive tits.
Mr Maths and Miss Art, we snickered,
saw each other after class.
 
When I pedaled my bike home,
my school satchel clamped precariously
behind my squeaky seat, I looked forward
to this unknown journey awaiting me,
once I was free to explore a world
that was so full of promise.
I took my hands off the handlebars
and whistled.


Waltz me Towards the Tango
 
Düsseldorf
Helsinki
Paris
Antwerp
Amsterdam
London. The 60s. A husband and a family.
My mother tongue goes on crutches
with a disturbed syntax,
while I am growing
into my new language
yet unformed, a toddler
that wobbles with insecure legs onto a page.
 
Everything is new and not that shiny.
Learning how to be a wife, soon to be a mother.
Finding out where the buses go. Living on love
and father-in-law’s occasional offerings (he’s got
a shop in Finsbury Park… food, mostly.)
 
Liebe Mutti, Ich brauche Dich. I need you, Mum.
The telephone is expensive, letters take up to five days.
By the time they get to their destination, the news
is old. When I bring that baby home, I am sure
I’ll kill him. Washing the nappies by hand,
moving my hips to the neighbour’s blue beat.
 
I can’t quite express what is in me, I don’t quite
understand the laughter that follows an obvious
joke, not that the joke is at all obvious to me. I dress
like the Queen Mum at parties designed for minis or
bell-bottoms. My slow waltzes still inform my first twist,
my friends gently take the piss,
and I am not yet sure about the ‘why’.
 
Years pass, my language is English, the learning
curve was steep, the result satisfying. Laughing about
myself comes easy, and I discover a sense of humour
that draws from a well I share in a surprising
and profound way. I read my favourites in the original.
I timidly reach out to words that might a poem make.
 
Life’s vagaries bring me to Lima via Madrid.
My tangos are blighted by the memory of flamenco,
salsa a far cry from the Beatles,
and I am fluent in Spanish.
I am fluent in Catholic, and fluent
in Latin shoulder shrugs. I have learned to read
through superficial amabilidad and the every-day language
of taking oneself very seriously.
 
But my library, sprinkled with books
in the languages of distant planets,
is filled with pages in English, the last plank of my ship
that broke apart somewhere over the Pacific.


Things I Found at the Bottom of my Doom Box
 
Two half-eaten romances
A one-night stand
A kiss that never was
Butterfly wings made of regrets
Several hateful thoughts
Quite a few wild nights of alcohol, dance,
and expectations
An unfinished composition of little musical interest
High heels in hand, tiptoeing out of a hotel
Various boxes full of good intentions
A folder with poems that rhyme
Two chapters of him being handsome and strong,
her being needy and whiny
At least ten bundles of angst in all colours
Insecurity of African proportions and a good dollop
of body dysmorphia
A jump from the ten-meter board
to impress the boys
Tomes of heimweh in the key of E minor
Sacks full of false memories
Spring mornings with open windows, blue air,
and Vivaldi’s Mandolin Concierto No. 1
The mysteries of Oxfordshire’s hidden cottages
winking from behind wild-flower hedges
A dislocated shoulder after practicing the Kama Sutra
Hand-washed nappies on the lines in the moonlit
garden, hanging them to the neighbour’s blue beat
Teddybearspicknick accompanied by watermelon
and Haloumi cheese
Nights with my colicky firstborn slung over my shoulder
My baby daughter’s first smile
Their father’s lover asking with shiny eyes
for his hand in marriage
 

The Prompter in One of London’s Lesser Theatres
 
Oh dear, she’s about to say the wrong lines again.
I hiss: “Find somebody else …”
Oh, she got it. Uff.
 
Who on earth put a polka-dot rug beneath that
faux art-nouveau dinner table?
Last night they had one with brown stripes.
Oh shit, how on earth did that cat get in?
The audience snickers.
 
As the leading lady’s feet walk by my box,
I can’t help getting distracted.
Not in a sexual way.
It’s just that her shoes are a little on the big side
and make that slurping noise,
let her walk appear a little inebriated.
Couldn’t they have found a pair that fitted?
Wardrobe is lacking, I see.
 
Why does he always forget his lines?
I whisper in my sharpest: “You think you still matter.”
Oh my God, he almost looks down,
What a twit.
 
Their on-stage marriage is supposed to be on the rocks.
His character drinks too much, and she is a cheat.
Since they are heavily into each other off set,
it’s difficult, I suppose.
 
There he goes. Finally.
Grab her by the throat. Yes! That’s it!
Now he’s on fire. He almost spits it out:
“You evil, cheating bitch!”
He lets her go.
“God, how I hate you. You have been a fake
from day one!”
I turn the page.
Look at my watch.
 
He’ll get to knifing her in about ten.
Every night when I hear her scream I know
I’ll just be able to catch the last Tube, sit with the mostly
young, drunk, noisy crowds that spilled from the pubs.
I wipe an invisible speck off my lapel,
adjust my wire-rimmed glasses,
open the ‘Evening Standard’
by the culture pages.
We all travel back to the suburbs.
 
Smoking is not allowed on the train.
The heavily tattooed kid in the olive green
army surplus jacket inhales deeply
and throws me a look of hatred mixed with disgust.

 
To buy the book:

https://www.amazon.com/Fathers-Sky-Rose-Mary-Boehm/dp/B0H6YHSXS1/ref=sr_1_1?dib=eyJ2IjoiMSJ9.vLASBpfYjjooHQLChDcaOA.c-8ptPzv0lox6zPMXUeTSC94hlgo_FXAw38Nje0J_QI&dib_tag=se&keywords=my+father%27s+sky+by+boehm&qid=1785163564&sr=8-1

https://kelsaybooks.com/products/my-father-s-sky?fbclid=IwY2xjawTUTs5wZG9mAWV4dG4DYWVtAjEwAGJyaWQRMVA1NUZISnFVRzdTNnpaRE1zcnRjBmFwcF9pZBAyMjIwMzkxNzg4MjAwODkyAAEe3isH5qAgUazQUjQ5ctF8SF6N48TH7pBFMSYTBXt7nXl9UKNGv2ZApM0ZX5s_aem_eh2W-y76HM7ccnkLiUiEZg

:


Monday, August 3, 2026

Special Summer Series

When Nature Turns Nasty


 


Gobble, Gobble by Laurie Byro

For Sharon

“Our wild turkey was back as well as the bear,” I tell Sharon on one of our late-night telephone talks – she in Arizona, me in New Jersey.

“The turkey would be harmless, but I wouldn’t want a bear in my backyard,” she says.

Sharon has obviously never met a wild turkey. It’s time to force her to go cold turkey on her fantasies about the beautiful bird that brings families together on Thanksgiving.

“Turkeys have wicked hooks on their feet, dangerous, nasty hooks to attack with,” I say. 

Then I tell her about my wild turkey escapade, and I am not referring to the alcoholic beverage.

“One girl turkey chased me around the back yard twice until I ran up a ladder. She was fast, I was waddling not her, she was in her summer bikini bod and very pissed off with me, righteous. She was eating birdseed that spilled from the feeders, lucky for me, the ladder Mike was using to fill the feeders was left out. I would have been a goner. 

“Sharon, picture this: It took 20 minutes of me screaming for help for Mike to come out and shoo her away. It started raining, me on a ladder." 

THIS wild turkey sobers her up.

"That’s scary," she says.  “My grandmother used to say always carry an umbrella for protection against the weather or the wicked. You should have asked Mike to bring you an umbrella.”
 
“Your grandmother was right,” I say and read her an article from the internet advising to never turn your back on aggressive turkeys or run away from them as turkeys will view you as submissive. Instead, make yourself look larger by raising your hands above your head, holding open your jacket, opening and closing an umbrella, or making loud noises by shouting or using an air horn.

 
“I should have HAD an umbrella!” I say and with that we say good night and hang up.

Blow Snake by Marilyn Zelke Windau

There in the road was a blow snake.
A vulture pecked at it as supper.

He hadn't seen a blow snake for years
only heard it in his dreams,
heard the hiss!

Age 10 at that time, he had shuddered and stopped.
His dad had too.
They were walking the railroad tracks at Pembine.
The snake had been deer hoof-halved.
Life light still in its eyes, it reared,
spit its warning.
They threw stones to deaden its pain.

He slept that night in the cabin, top bunk,
tried to silence the sound in his head.
Finally, he got up, grabbed the flashlight,
went out to the outhouse.
As he opened the door,
he heard "HISS!"
Immediately he closed the door for safety
and found a dry oak leaf
scrape-stuck to its bottom.

Parable of the Skunk by Sarah Russell
 
An eye-watering, acrid smell
told us a skunk was under the porch.
The dog offered to kill it for us
or at least nudge it, but we declined
and called the varmint guy
who assured the tearful kids
the skunk would have a new home far away
and set a wire trap with stuff skunks like –
marshmallows and cat food.
 
Next morning, sure enough,
there was the skunk, munching marshmallows,
not even knowing he was caught.
The varmint guy came back, armed
with a large white sheet, a vial of ether
and safety goggles "just in case."
He told us to stand back.
We did.
 
He held the sheet arms-wide in front
(so the skunk sees only blankness, he explained)
and inched slowly toward the trap.
(You don't hurry blankness.)
The skunk still munched, enjoying the marshmallows.

 Finally, the sheet dropped over the cage,
the ether slipped underneath,
the munching stopped, and the kids
approved a sweetly sleeping skunk.
Then skunk, cage, sheet, 2 half-eaten
marshmallows and a cat food can went in the truck,
and off they drove to wherever needs more skunks.
The dog sniffed the crime scene. 

And it struck me how we humans go along
munching our marshmallows and cat food
while blankness closes in,
and then one day we wake up
to no marshmallows and an awful headache,
wondering what the hell happened.


You leave the group on the Cascade trail by Joe Cottonwood

to take a dump in a grove of cedar 
where you startle a sleeping bear 
who lifts head with a pop. 
Suddenly bear is a boulder on legs
you cannot possibly outrun. 

In desperation rising from a squat 
you point one finger at the oncoming monster 
and yell NO! Bad bear! Stop! Sit! 

For an instant you wonder 
if this is the last moment 
you’ll ever see that finger 
but the bear has stopped, 
front claws planted on a log. 
Still the frown more terrifying 
than the face of your father
after the paint-can incident 
before he walloped you 
so hard he broke your nose 
which was 20 years ago
but seems relevant to this situation 
as a matter of unfortunate behavior, 
of no escape.

An eternity of seconds, eye to eye 
across a width of one trunk of tree
smelling breath of berry and rancid fish. 
Then a grunt. Of dismissal. Or disgust. 
And bear turns, departs in a crashing 
of underbrush. As you rejoin the group 
they say they heard you talking. 
To a dog.? Coyote? Wolf? 
“Ghost of my father,” you say, 
and for the rest of the hike 
they pretend you aren’t there. 


Natural Order by Alarie Tennille

The kitchen happens to be
in the way.  Each May the ants
 
make their peony pilgrimage,
follow their doctrine of pheromones
 
up cabinets, over counters, down.
Dotted lines of monks pepper
 
the floor.  On and on they come
in a scene from Cecil B. Demille,
 
proceeding as directed.
Never mind the brief frenzy
                  
at the cat food bowl.  In a miracle
of efficiency, they’re soon gone.
 
So I wonder why, for the past
three nights, a single ant has
 
tickled my arm as I sit in 
the next room.   Are there always
 
a few lost, unworthy of reaching
paradise—the weak, the doubting,
 
the unrepentant?  Or perhaps the same
ant keeps returning, praying
 
I will again blow him aloft,
longing for the rapture of flight.

First published in Whirlybird Anthology of Kansas City Writers  


The Beetle by Arlene Gay Levine
 
While cleaning the cellar steps, I unearth a black beetle
hidden among leaves, feathers, and withered rose petals: 
fall's gentle gifts collecting, a whisper of winter.
I don’t enjoy insects but my better self says, “Oh, please…”
so I try to be polite; maybe this ugly fellow likes me no better.
 
Gently, I use the spiky tines of my straw broom as a blockade.
“Turn back!” they suggest but this bulbous bulb of unconsciousness
plods on, directly in the path of my rapidly moving weapon.
It keeps advancing toward the sweeping, infuriating me with what I perceive to be foolhardiness rather than persistence.
 
“Why not retreat toward the hole you came from?’ I silently implore
this intrusive creature, much the way I have thought about my new
neighbors: unreasonably noisy, boundary-invading, diffident
people despoiling every semblance of beauty, of order
in what I now refer to as my “former” home.
 
In a carefully controlled manner, I explain how stomping
on uncarpeted steps when our townhomes share the wall
or unattended grass that morphs into a weedy mass, or for that matter,
this rotten plank of wood they shoved unceremoniously under my fence
(who can even imagine why?) is not normal behavior here.
 
No use talking though they do speak English.
The deaf could hear their screaming through the walls. They only smile,
shake their heads and go inside, as if to show they do not understand,
as if to say my feelings have amused them.
 
I take a deep breath, exhale slowly, pull myself back to the task at hand.
The leaves, the cellar, the beetle. Oh, yes. The beetle.
But because I have forgotten him, ignored his presence,
he has decided to retreat. Imagine that! All my defensive
posturing and aggression could not accomplish what an unintentional
act of acceptance has wrought. Beetles can be teachers too.

 
Javelina photo by Dulcee Lima on Unsplash

Bigger doesn’t Mean Meaner by Sharon Waller Knutson

In a frantic frenzy, a doe dances 
in front of the kitchen window
as temperatures hit 110 degrees,
brown eyes pleading for help,
tongue hanging out of a dry mouth.

I look past her to see a javelina
rolling in the dirt to cool off
while another peccary drinks 
at the pond. A stranger might wonder
why a deer that weighs 140 pounds
would be afraid of a 35-pound pig.  
Couldn’t she just hit him in the head
with a hoof if he interfered with her 
getting a drink like she does other deer?

I recall the gash on the leg of the twenty
something man who sits next to us
at a Kenny Chesney concert in Tucson
when we first move to Arizona
three decades ago. A javelina attacked
him in his own yard.  “The tusk sliced
through my skin like a razor blade,” he says.
“It took 16 stitches to sew it back together.”

When we first build our house
in the middle of a wildlife habitat,
we see several tiny faces at dusk
pressed against the window squinting
like seniors with failing eyesight.
“Javelina,” my husband says.
“They’re almost blind.” 

Twenty-six years later our son carries
a gun when he goes out for a smoke
after dark in case of a javelina attack.
A herd of sixteen javelina stop
to stare at his six foot three body
He keeps eyes on them, hand on holster.


Lake Flies by Wilda Morris
 
I stroll the shore, am beset
by a swarm of lake flies.
Black flecks pile onto my tan slacks,
hurl themselves into the dark colors
of my shirt.
 
Wings brush my cheeks, my hair.
I zigzag away from the water,
I try to swat the flies away
but the swarm stays with me
like accumulating grief.


Under Siege by Judith Waller Carroll   
 
The squirrels have ceased gnawing on the siding
to chase each other up the pine, around the mimosa,
under the ornamental grass. They stop
in mid-motion, as if they are playing freeze tag,
when I walk out to check the mail.

A spotted fawn with a mouthful of hosta leaves
retreats to the driveway, but the chipmunk
doesn’t even look up from his post
by the storage room door, now secured
against him with a strip of chicken wire.
 
The hornets are back in the breezeway.
There’s a web above our bedroom window
with a brown recluse spider in the center.
It feels like a tick has hitched a ride on my hip.
 
A pale yellow oak leaf veined in magenta
coasts down from the sky
as if Mother Nature has sent a letter
offering a temporary truce. 


Murder by Rose Mary Boehm
 
The snake was colorless but regal
when she lifted her head on that blue tarpaulin.
She had taken possession of the pool.
The dogs stayed well back,
growling.
 
Reptilian brain. The most ancient
of our brains. Below the neocortex,
it relates to the left and the right
hemispheres, sitting atop the spinal column
and enabled our survival for millions of years.
 
There was beauty in her stillness.
And yet I pondered death.
 
One sunny morning she was about
to slither across
the kitchen threshold.
I still feel
the snake’s compact muscle’s resistance
under the hard-edged spade
I brought down on her.
Again.
Again.
Again.

first published in Red Tree Review


My Takeaway from a Hornet by Elaine Sorrentino

One, maybe two extra minutes
to tuck in a cool sheet, light blanket
before scooping lunch money

off the kitchen counter
and skipping off to school
might have circumvented the sting.

Looking back, I wonder─
while I was munching my lunch,
hurrying through history, running
 
at recess, was my ferocious friend
plotting his undercover ambush,
anticipating the moment

he’d invade my fleshy thigh
with his painful histamine?
Did I breach his new hiding place,

surprise him into instinctive maneuvers?
That swollen, throbbing leg cemented
a change to my ten-year-old morning ritual;

aware of the consequences, I never take
for granted the gift of a well-made bed.
I should send that hornet a thank you note.

First published by Silver Birch Press


FEAR by Lori Levy

It begins with the ordinary: girl watching
a cat.  No monsters or ghosts, no crash of thunder. 
Just the girl, six and curious, lying crosswise
on a bed, head over the edge
to get a closer view of a Siamese.  She is
staring her trust into its eyes when, suddenly,
the cat lunges, glaring and growling, and it’s over 
for the girl, who, from that point on—though nothing has happened,
no blood, no scar—can’t look at a cat
without seeing a tiger ready to pounce,
scratch, gouge out her eyes.  She grows up,
becomes a woman who quakes in the presence of felines;
who begs her friends, if they want her to visit,
to lock their beasts in an upstairs bedroom.
Later she marries, has children, and lives in Jerusalem
where a bag, unclaimed, could be a bomb 
and, worse, cats are known to leap out of dumpsters.
She stands far back and heaves her load, praying
for the peaceful thump of trash hitting trash.

No one escapes it. One runs from snakes, another
from mice.  Airplanes, heights, speaking in public.
We tremble and pale.  Cancer, bees, the Middle East.
And my teen-age son,
who’s six foot one and nearly invincible,
who snowboards, surfs, and rises early
to be first in line for bungee jumping,
calls me—the one who freezes near a cat—to
Come kill the spider! he’s spotted in the tub.
I carry the creature away in a tissue, suppressing
a smile at the daddy-longlegs.

Previously published in Taproot Literary Journal.


July Afternoon Attack by Joan Leotta
 
Life in a house built
in the middle of
what was once
a drained swamp is good—
until it is not.
 
As if they were waiting
like racehorses for the start bell,
a veritable herd, mass, cloud, wave,
of brown ants swarmed down
from an invisible space between
kitchen wall and ceiling
spreading over the wall.
Regiments broke off before
hitting the floor in orderly
rows toward pantry, glass cupboard,
then our kitchen island where I
stunned hapless human
in process of unpacking
groceries creamed in horror.
 
My husband came running with
our paltry single can of insecticide spray
which I used to hold them at bay
liberating the rolodex from our back counter.
Reinforcements in the form of
Our pest service soon arrived.
Our tech, who knew my fear of six-legged
creatures, sprayed, swept up, and spread
gel that survivors would carry to the nest.
“Good thing you were home when
they swarmed in, “he told me. “I’ve been
to places where folks were away and
ants came in to escape the heat and well
the entire floor was a churning mass of them
when they returned.”
 
Vigilance became my byword
Knowing that the cool of our AC
enticed them—well I could not blame them
for that but their attack compelled me,
no matter what the heat to daily
walk around the house
mumbling—"outside is yours, inside is ours”
as often as I could for the rest of the
days we lived there.
Even now, a thousand miles from there,
when July temps rise, a cold
chill of remembered fear
raises hackles on my neck.
I’m never without a can of ant spray.
 

Night of the Snake by Kavita Ezekiel Mendonca

Tandem poem to Nissim Ezekiel’s poem ‘Night of the Scorpion’
Written In memory of my beloved father
And for my son, Siddharth (Sid), so he would know what transpired that night.
 
It was not Lawrence’s snake
Waiting patiently for me at the water trough
But a different snake camouflaged
On the stone wall outside our home
In the gently rolling hills
Across the gleaming lake
The night dark with the pouring rain
 Fear was a knot in my heart.
 
He seemed to have a right to be there
To be at home
His name on the nameplate,
I address him as ‘he’, unable to distinguish
A male snake from a female one.
 
 The innocent child asleep in my arms
Knew nothing of the danger
Posed to him by the creature
Resting like a still-life painting
Etched in curves of slithery colors
An artist’s rendering of beauty and evil
Simultaneously.
 
It did not move or
Rear its head to
Hiss or spit poisonous venom
At the sleeping child,
Wet from his soaking clothes.
 
My other companion
Began to dance madly
A Rumpelstiltskin of fear,
While frantic to appease the curled one
Begged her to remain still
And simply to utter a silent prayer
To whatever God she believed in.
 
Unaware, the child’s father
Watched a movie with the school children
In the hall above,
Unsuspecting of the drama unfolding below.
Turning the key in the lock
The house door silently opened
Granting safe entry to mother and child,
My companion having fled to safer terrain
Leaving the snake at repose, immovable.
No neighbors to help or witness the spectacle
No peasants to chant their incantations
To pray the snake would return
to its snake home.
 
Creeping outside once more
With beating heart and stealthy pace,
to narrate the tale to the child’s father
The sleeping child, now dry,
Oblivious to the imminent danger
From the curled serpent on the stone wall
He had gone from whence he came
Into the dark recesses of his own mind,
Curled on someone else’s door perhaps,
Or waiting silently for an unsuspecting prey-moment
No creature or human understanding could comprehend.
 
Thank goodness for Divine intervention
That granted protection to our precious child.
We wrapped the bundle tighter,
Afraid it might still be watching us,
From somewhere.
 
Love for my country does not diminish
despite its scorpions, snakes
and other creepy crawlies!
 
Note: Tandem poetry is a genre I have created for poetry I write alongside my father’s Poetry. The subjects may be similar since they are inspired by him, but the content of the poems are mine.




Black Belt in Feminism Thanks to my Parents

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