Friday, October 16, 2026

Life Through the Eyes of My Grandchildren

 Lori Levi

 

 Lori Levy and her grandchildren

By Lori Levy

I get a lot of pleasure from my grandchildren, especially observing how they experience life, what excites them or moves them, what they love doing. Sometimes that means dressing up as batman and a ballerina. Sometimes it's being in love with the tattoo on a father's arm or with rabbits in a yard on the way to the park. Sometimes it's serving me coffee made from soap bubbles in the bathtub. The first photo shows me with my gang of granddaughters. My grandson isn't in this picture (sorry, Isaiah!). It also doesn't include my youngest granddaughter, Olive. She's in the second photo and was born December 29, 2025. The last poem is about her.



WHEN THE DOORBELL RINGS

I open the door as if clearing a dam,
and in they surge:  batman and ballerina,
flying and leaping down the hallway—he, with a mask
and a black shirt taped to his back; 
she, in a pink skirt, arms outstretched,
twirling the way Mommy showed her.
He tells me about the movie he watched, he and Daddy;
about batman and his bat mobile, bat cave, bat wings. 
She, too, chimes in.  They have so much to say, 
both at once, about Robin and the Joker, Flash, the Penguin.
I swallow their words as fast as I can,
shifting my gaze from him to her, her to him,
trying to keep it straight:  who rescued, who destroyed;
who’s a good guy, who’s a bad guy. 

Later, when we play with the Lego men,
I want to change the game:  just good guys today.
But he scrunches his face, bares his teeth, 
slides his figure towards mine and knocks down my house.
The bad guys are coming, says his little sister.

Before they leave, they want Grandpa to be a monster,
chasing them, laughing and screeching, to the car.
We kiss them goodbye, belted in their car seats.
In that moment, that kiss, 

the bad guys are gone.


Previously published in Iris Literary Journal


BELOVED TATTOO

I watch entranced as my granddaughter, not yet two,
circles her hands around her daddy's arm. Huggie, she says,
and embraces it—smiling, adoring, in love 
with her daddy’s tattoo.

Not a heart or a rose or even her name—
just the logo of his former band,
her daddy the guitarist in Poopan Hooligan.

She presses her cheek to her beloved tattoo,
says, Hi, Tattoo, kisses it, cleans it,
tries to feed it. What is this love?
Is she soaking in music through the sunburst image?
Hearing a beat, her ear on the P of the logo? 

She copies her mommy in a hip hop dance,
clapping, bouncing, swaying her hips.
She laughs when we laugh,
laughs some more.

I think of the future.
Maybe she’ll grow up to be
a math professor. Anything's possible.
But look how this little girl enters a room,
how she tilts her head, brightening her face
into one big smile till all her features
are teasing, flirting, joking with us.
This is Emilia Rose.
I think she emerged from the womb
as a singer/dancer/entertainer.

Previously published in Poetry Breakfast.


IN LOVE WITH

Mindfulness is all the rage now.  They say it's good for our health.
Wake up, breathe, pay attention to the moment.  When I do,
I fall in love with the red, orange, gold leaves
I pass on my walk through the neighborhood:
L.A.'s loud winter leaves, intense as extroverts.
I fall in love with quiet, too:  the chill of morning
when I slip out in my pajamas 
to get the newspaper tossed in my driveway.  
I could say I'm in love with boring things, too,
like oatmeal, still and bland in its bowl.
In love with this porridge—and how seductive it becomes 
when I add chia seeds, cinnamon, and blueberries. 

My granddaughters can't wait to see the bunnies 
on the way to the park, two of them behind a fence
in a neighbor's yard.  We stop to watch them eat carrots,
lettuce, cucumbers, twitching as they stare back at us.
Scampering from here to there, one corner to another.
It's enough for the girls, more than enough.
I'm in love with their smiles, their hi bunnies,
bye bunnies, their giggling love
for these creatures who don't do much more—
one could say—than eat, sleep, twitch, scamper,
which—one could argue—is just what we do.

Previously published in Your Daily Poem.


GRATITUDE

Where is it today?
I can’t find it, can’t feel it.
I think I chased it away
with my complaints, my disappointment.

Must be hiding outside—
in the neighbor’s rosebushes, perhaps,
or in the purple Russian sage down the street.

Wait. Why down the street?
It doesn't hide: it waits to be found.
It's probably here in my house, curled up
with my complaints—napping in the gloom
until I welcome it again.

I think it's peeking at me now
from the bubbles in the bathtub
where a five-year-old—
my Rio Belle, my granddaughter—
pours soapy water in a cup,
serves me coffee, cappuccino,
then shoos me away and tells me
to come back as a new customer. 
I remind her that her hair needs washing.
You're being so dramatic, she responds.
I crack up, she guffaws,
we call each other hilarious—
life shining again, like the olive oil
and lemon on the salad I made earlier,
fresh as the taste of gratitude.  


Previously published in Your Daily Poem.


WELCOME

I am reading a novel called Oh, William!
but I want to say Oh Olive, hello,
welcome to the world, to your family.
Oh Olive, I wish I could tell you 
it’s a peaceful world
where people are all kind to each other,
but, oh Olive, I’m sorry, that’s not the case,
we’re still fighting wars,
still haven’t learned to get along together.
But, oh Olive, I promise you
that we, your family, will do our best 
to make your own little world
feel warm and loving.
Oh Olive, you bring me hope:
I say your name and think
of an olive branch extended in peace.
I think of olive trees,
how tough they are,
surviving in the driest soil,
blooming, offering their gifts.
Oh Olive, you are a gift.
Hello and welcome, welcome.
Our arms are open.
We’ve been waiting for you.


Friday, October 9, 2026

When My Heart Forgot the Dance

 Rachael Ikins



 Rachael Ikins the day after the ablation

By Rachael Ikins

These poems tell the story of my heart arrhythmia and procedure May 2018. It was many years before I understood this is a thing you live with like your eye color. In 2015 I was defibrillated at the Emergency Room of St. Joseph’s Hospital in Syracuse NY.

 The ablation for afib happened at Upstate Medical University in Syracuse. I went home that early evening. A friend stayed with me for a week because I wasn’t allowed to lift or exert myself. The cardiologist who did the ablation told me a lot of the erroneous activity was coming from the nerves in the stump/scar of the part of my lung my husband operated on so long ago. Felt like Phillip was talking to me.

The last poem about the voice was written one of the times post ablation when I wore a monitor for a month. They look like smart phones. But the leads come unstuck sometimes and the red light comes on so I ended up phoning the 800 number in a panic. The lovely man on the other end had a voice like melted chocolate and talked me through redoing the leads while I stood in the bathroom mirror telling him what I saw. I decided they must hire people with those voices on purpose. Sure calmed me down.

I’ve just now started to feel a degree of knowing what to do when it bothers me rather than panic.

 Boundary Violation was previously published in an anthology by IndieBlu press.


When My Heart Forgot the Dance

Always happened autumns—
when my heart forgot the dance. light shortened, 
darkness chilled pavements, speed up, 
two step, cha cha, break dancing

red phone in my pocket,
ambulance, ER,
alien spaceship’s inner dome.  I remember 
the EMT’s kindness, my panic attacking me, 
how she said to blow through my mouth 2, 3, 4, 
5, 6, 7, 8,
suck in, nostrils only.

In a cargo bay, 
hooked me to leads, at one 
with the Mothership, did bleeds 
they left me. 

To study the dirt on the baseboards 
where the wringer mops flipped their hair. I had to pee. 

Two years later, October, 
after a beer and a bowl of chili, 
a ride to Urgent Care even though last time
 I remembered they said: heart = ER.
I was too busy breathing to argue. 

EMT injected me, something warm
 that told my heart to stop fucking around. 
When we got there, a-fib. They could 
turn me off, shock me on again.

I came to chattering. Lost an earring. 
Before zap, all metal must be removed, 
collected in a plastic bag. I wanted to get back 
to myself, but that earring never found its way.

After years of donut holes, 
drugs that didn’t work. 
Spring, ablation. 

Information minimal about just how asleep 
you are or not during this procedure with wires
 snaked up your hoo hoo and a floating level of consciousness
 that thinks “How obnoxious!” that jack- hammering 
in your chest. I said it aloud.

Home late afternoon, subcu Loop recording my every beat 
and tattling wifi.

Years passed. There is still a-fib now and then, not much, 
and phantom sensations left from the jackhammering 
“They may never go away”
Beat, beat, squeak

Loop’s battery dying. I can opt to have them dig it out. No,
say, leave it with my tats and scars, all friends by now.

Last night we fell back an hour, 
nights leave frost-lathered dawn lawns. 
I realize, beat beat, it’s the time of year when shit happens
 and me without my Loop. Who knew I would miss that tattletale?
On news they say daylight saving fallback stress 
causes more heart attacks and strokes. 

I wake up 2:10 a.m. right after the time changes,
Doo be doo be shaboom, 

have faith little girl
Your heart is strong.


Boundary Violation/Heart Surgery

I entered the machine.
On my own soft feet.
Murders of black robots like crows 
rustled and hummed, 
exhaled frigid breath. 
They stripped me,
taped me, needled and sprayed me.

And I laid my body down
in this glass room. They kept me awake. Bitter herbs.
A white rabbit larger than a man
grinned vampire teeth,
hammer in one paw to pound my heart.

There were balloons, liquid nitrogen,
a suggestion of microwaves and my secrets 
exposed on a 52” screen as snakes slithered 
through my skin into pathways only my blood 
should whisper.

They told me to breathe.

The next few nights I did not sleep.
Fearing the rabbit.

Where they planted a monitor in my skin, 
glued next to my cat tattoo, 
bruising spread, my left breast a purple Picasso 
masterpiece.
I did not sleep.

The monitor tattles my secrets all night after midnight.

The third day exhaustion took me. I slept hard, 
unaware when I woke of the day or time. I followed 
my mother into a field. She disappeared down a woodchuck hole.
When I called, she popped out, a large lynx 
with Mom’s three-years’-past-dying eyes, juicy 
bird in her mouth. 

“Eat, baby.”  she said. I was hungry.

Last night while the monitor recorded my regular rhythm
I camouflaged myself well with dusk, 

I arrived on Cape Cod. My husband and I argued and then 
I was running, running to the ocean, water to my waist. 
I embraced a mossy cliff. 
Salt-tinged rivulets flowed down my sore throat.
I need. I need. I need.

When I climb to the beach, fog obscures the world. 
No way back to him, our motel, or not to fall off a cliff. 
I slide one bare foot at a time along pavement, sand grinds skin.
My feet must be bleeding. It stings. 

A cottage looms. Woman bows her head over artwork 
she crafts by lantern light. I stand unseen, back to the shingles.
I shiver, fingers spread, full of splinters and peeled paint, to wait

for the sun to burn the fog away. 
To find my way.
Heart-percussion syncopates/ocean’s song. 
Beneath a May moon.
I pray
for peace.


My Heart is a Lonely God, Tearing My Guts

The voice of my heart growls like a stomach.
 bustles along tunnels in darkness thinks only 
of its next meal, rodent whiskers twitch over 
large black eyes. You prod and probe. The snail 
suspects a spy, curls in on itself, curses the magic wand 
depending on your hand’s angle.

The curve where the path branches 
off is a rush hour river. We raft in the arms
of all the layered voices that limped and skipped 
down these banks before us. A chorus.
This room, the white leaved tree of lights holds 
all their melodies, two notes, sometimes three, 
voices that say, Hey/mom and why/why/why. 

Heart is Gollum hoarding its ring,
does not appreciate your spying, 
taking notes for future to use 
against it.

 

Calling the 800 # Tech at 2 a.m. When My Heart Monitor Blinked Red

His voice is a hole in the box spring 
A haven I crawl into.

His voice is wrap-around sunglasses
smoky and cool, when I wear them 
nobody sees me.

Back here by the baseboard 
of betrayal, 
I carve two words into my skin, 
“No more.”

His voice holds my heart 
this heaving small animal,  in one palm, 
strokes with a single finger until I sigh. 
The dark fills with stars. My heart
whispers his name, melted velvet
I lick my lips

Zion. Zi-on. Zi-on



Friday, October 2, 2026

Super-Sized Series

 Dishing Out the Drama

 


 

Movie Life by Arlene Gay Levine

Before we chose
you and I sat,
discarnate,
discussed possibilities.
You: an actor.
Me: a poet selling popcorn
at the Loew’s Valencia.
 
Every day you show up to watch Gable,
the ripples beneath his shirt,
nothing escapes you except why
you don’t like yourself.
I write poems by the light
of the popcorn machine,
aluminum-lined odes
dribbled with butter.
 
One day you notice
a hastily scribbled sonnet
on your popcorn bag:
the last couplet,
my name and number.
You arrive at my star-plastered
apartment that night;
I call you
Rhett in my best Scarlett voice.
We go to a movie, some Hitchcock
thing that makes us both dizzy.
Over hamburgers
you deliver
your romantic soliloquy.
You needn’t have bothered.
I can hardly wait to get you
between the sheets; just a rerun
of my favorite feature fantasy.
I award you an Oscar.
 
I’d like to say it ended
happily-ever-after, like in the movies,
but we fizzled out before
the plot thickened.
Maybe the characters
weren’t sympathetic enough.
 
I quit the Valencia.
Got a job writing obits
for a local rag.
One day yours crosses my desk.
You jump from a fifteenth floor window.
What a mess.
Guess you never did catch on--
Gable would’ve used a gun.

 


 

 Worth the Wait by Elaine Sorrentino

Clutching the remote
I squelch the tendency

to fast-forward past
buffoonery and greed,

and bask in the instant
sacrifice and loyalty

are validated.
I like to think I’m Elinor,

cut from the same bolt
of moral integrity,

but who am I kidding?
I’m moony-eyed

Marianne,
shunning propriety for love.

Muddling through
Fanny’s hard heartedness,

Lucy’s nitwitted naivete,
Willoughby’s crushing cruelty

sweetens the penultimate
moment celibacy is revealed

and Elinor is free
to unburden her sensible heart;

a turn of events that justifies
two hours and fifteen minutes of angst.



 


Dear Juliet by Lynn White

Listen

to a father’s foreboding
it’s a difficult time 
when you’re half grown.
No longer a child,
but not yet an adult.

Half grown
with fully formed temptations,
and such contempt
for adults,
fathers especially,

you always know best
but listen,

the forbidden fruit
of first love
is poisonous 
not for tasting
and when the feuds of the fathers
meet the dreams of the fathered
there are no happy endings.

You always knew best
until you didn’t.

So listen
and heed a father’s foreboding.

First published in Heretics, Lovers and Madmen


The Borrowers by Jacqueline Jules
 
“I can’t find Barbie’s blue shoes!”
“Well.” Mom winked at me.
“Maybe a Borrower took them.”
It was our private joke
whenever something small
vanished unexpectedly.
Maybe Barbie’s shoes
were under the floorboards
in a cozy miniature home
on the feet of a teensy girl
sitting primly on a thimble.
 
Like The Borrowers book
we read cover to cover
at least three times.
 
We spent so many sweet hours
between eight and nine at night,
Mom snuggled beside me,
reading just another chapter
in her crisp calm voice.
 
And for as long as I live
I won’t see
a lost toothpaste cap
as merely missing
but maybe swiped
by someone dainty
who needed a new cup
to set on her tiny table.

Originally published in Your Daily Poem


Phantom at Arrowhead by Wilda Morris
. . . one grand hooded phantom, like a snow hill in the air.
~ Herman Melville (Chapter 1 of Moby-Dick by Herman Melville)
 
I peered out the porthole of Melville’s office
at Arrowhead and saw Mount Greylock
pale blue in summer light. Whale-shaped,
seeming to swim, calm in tranquil green waters
along the horizon. Nothing haunting
or horrific. Nothing malevolent.
 
But when winter wraps the Berkshires
in frigid air and snow sweeps in from the west,
that creature turns phantasmagoric,
a great white poltergeist. Mist rises
from the specter like the spouting
of a sperm whale, mesmerizing, menacing.
 
That apparition disturbed Melville’s sleep,
pursued him in dreams through the dead of night
as he pursued it. Obsessed as Ahab,
he rose each day to write again about gods,
cultures, and people as changeable as the mountain,
as unpredictable and malicious as Moby Dick.
 
First published in my book, Pequod Poems: Gamming with Moby-Dick (Kelsay Books).

A Crow on Roadkill by Rachael Ikins

Beef escorts Judge from courtroom, robes fly like crows’ wings. Senator knocked down, a question, statues stand silent.

I dwell in my house like a turtle it’s shell- all I need is just-enough. 

I fit my life into chicken noodle soup cans. Campbells $1.28 a can, generic $.95. Tastes close enough to five years old sick in bed, mom with lunch on a tray. Sided toast with crunchy peanut butter.

Heat is coming, an avalanche of it, pick spinach. Hose trickles slow-filling pool as if water is reluctant to leave the dark lake depths where I was born. Into that lake before birth my mother swam curled around me.

I drive past, my body craving.

Read James Patterson, swim his surfaces,  the Deep just too dark, seaweed and monsters. Watch feel-good movies over and over, like bed time stories, enough serial killers roam weekend nightmares. 

Childhood comforts, chicken noodle soup, toast dipped in. Peanut butter on generic saltines $1.19. I was never in love with brand names. We have to stay under this roof, we have to trim the fat. 

Eat your kale, quinoa and trendy protein. I’ll grab comfort like a crow on roadkill, my day-old cupcakes with red frosting that probably causes cancer. 

Published in the anthology Unhoused

 

 The Tale of Three Octogenarian Grandmas Living in an Electronic Age by Sharon Waller Knutson

The Doberman chained up next door howls
as my Ring doorbell chimes but the camera
shows no one outside but the Flicker
flying by the window. Feet propped up
on my walker, I watch Prime TV.

Judge Judy peers at a cellphone where a Ring
doorbell camera captures an unleashed
Pitbull attacking a German Shepherd
on a leash while her law clerk Granddaughter
explains to her how to bring up the video.

It’s refreshing to watch a woman of my generation
who speaks my language on television.
The mother of five with multiple grandchildren
lectures and teaches her litigants
like mothers and grandmothers talk
to their children and grandchildren.
She corrects their grammar and tells them
not to slouch, uncross their arms, put
their hands down, don’t interrupt, get a job. 

“In my opinion, what’s wrong 
with this country is the new generations’
sense of entitlement,” she says.
She believes in marriage not co-habitation,
that both parents have equal rights
and about has a coronary when a parent
who can’t afford to support their own children
loans money or buys an expensive pet
or runs off with the opposite sex,
leaving their children with relatives, 
neighbors or strangers.

On Peacock, a newscaster shows a masked
gunman caught on camera at the door
of Nancy Guthrie, a grandmother
and mother of a TV show celebrity,
seconds before she is snatched 
as she sleeps alone in her home
just a hundred miles from my home
where I sleep alone unharmed. 

The sheriff says Nancy had to be kidnapped.
“She is 84, a widow, and can’t walk very far.” 
He could be describing me, I think,
so I check my locks every night. “Don’t
answer the doorbell after dark,” says my son
from a thousand miles away
who is alerted on his cellphone every time
the doorbell rings and talks to the visitor. 
“It’s safe here,” I say, but I bet Nancy told
her son and daughters that before 
disappearing without any trace.



Life Through the Eyes of My Grandchildren

 Lori Levi    Lori Levy and her grandchildren By Lori Levy I get a lot of pleasure from my grandchildren, especially observing how they expe...